Jenny Diski

Jenny Diski was born in London in 1947 and went into foster care at the age of eleven. As a teenager she spent time in psychiatric wards, before being taken in by Doris Lessing, the mother of a schoolfriend. When the LRB’s first editor, Karl Miller, met her in the early 1990s, Diski had been divorced, published five novels and was writing a column about supermarkets in the Sunday Times called ‘Off Your Trolley’. Her first piece for the LRB was a Diary about her ‘ex-Live-in-Lover’. She went on to write six more novels and more than two hundred pieces for the paper, on subjects as diverse as Roald Dahl, disgust, Jewish seafaring, Mrs Freud and Mr Thatcher, Antarctica and UFOs, but her best subject was always herself.

As Mary-Kay Wilmers wrote after Diski’s death in 2016, she ‘wasn’t self-obsessed’. When she heard that she had inoperable cancer she told the oncologist that ‘under no circumstances is anyone going to say that I lost a battle with cancer. Or that I bore it bravely.’ But she embraced ‘the worst cliché of all’, the cancer diary (‘another fucking cancer diary’); seventeen entries were published in the LRB and collected after her death as In Gratitude. A selection of her essays, Why Didn’t You Just Do What You Were Told?, came out in 2020.

From The Blog
10 October 2012

If you lived through the 1960s and 1970s, and are a woman, it's really hard to be shocked or surprised by the tolerated sexism back then that's currently crawling out of the woodwork. It wasn't in the woodwork at the time. It was just there, in the air you breathed, in the world you walked about in. It wasn't just DJs and comedians. It wasn't even only the touching up, the comments, the boss who called you in to deal with a pile of filing that needed putting away in the bottom drawer of the cabinet right opposite his desk (think 1960s miniskirts). The men who felt you up on the Tube at least knew they were doing something wrong, even though they didn't think it was very wrong, or only wrong because it was in public. You could say, in a loud voice, 'Take your hand off my body,' and they would look ashamed. You could strategise to avoid those you knew were trouble, you grew a tough skin walking about the street being shouted at, having your body commented on, being sneered at when you didn't respond. Learning to deal with loathesome men in public and at work was part of being a young woman. But it was more pervasive than that.

From The Blog
19 September 2012

In July, Santander wrote to tell me that there were going to be changes to the online account for small businesses I have had with them for around eight years. They began: Our aim is to build the bank we know our customers want. A bank that takes the time to listen... Then it went on to tell me what it was that I wanted.

From The Blog
14 September 2012

When I was a child I used to tap around the flat with a stick trying to find out what it was like to be blind. I folded scarves into triangles and knotted them around my neck and arm to make the sling for the broken arm I never had. I always wanted but never needed spectacles. I tried on other people's braces in the playground and limped around the corridors of my block of flats in imitation of children at school who had had polio and wore calipers on their legs. I thought it so glamorous to have 'a condition', and I was also curious to find out what it was like being without something I took for granted. But I have no memory at all of pretending to be deaf. I played games putting my fingers in my ears, of course, making things louder and quieter, but I never thought of it as seeing what it was like to be deaf. There were children in the playground who wore hearing aids, pinky beige flesh coloured implements you couldn't miss, but I never wanted to try them, or wondered what life would be like without hearing as I wondered what life would be like without sight.

From The Blog
20 August 2012

It's a big week for rape. And it's only Monday. In a mid-August special, the Republican candidate for the Senate Todd Akin and balcony diva Julian Assange's best friend George Galloway have come together to bring you the truth about rape. What it is and what it isn't. Akin, who sits on the House Committee on Science, Space and Technology, has explained that there is no need to consider abortion for rape victims since 'from what I understand from doctors’, women rarely get pregnant from 'legitimate' rape as 'the female body has ways to try to shut that whole thing down.' If, by some chance, this mechanism fails, 'I think there should be some punishment, but the punishment ought to be on the rapist, and not attacking the child.' In that last sentence you will notice that there is no reference to the raped woman, only the 'child' – that is, foetus – and rapist. Did I mention that Akin is on the House committee on Science, Space and Technology?

From The Blog
30 July 2012

'I forgot how rare and intoxicating collective joy is. It revives the heart, a bit, doesn't it?' said Megan Cat-Noises on Twitter. I may be the only person in the country to have woken up depressed on Saturday morning. Perhaps it's just what collective joy does to me and I am therefore to be pitied. It's certainly the case that I deeply dislike spectacle of all kinds and the heavy symbolism it demands. Still, let me try and clarify a little my response to the Olympic opening ceremony.

Montaigne had his own literary stalker. Eight years after the Essays first appeared in 1580, he received a breathless letter from a young woman called Marie le Jars de Gournay, who declared...

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A good God is hard to find: Jenny Diski

James Francken, 4 January 2001

Was God created by a woman, a writer who dreamed up the early stories in the Bible? Differences in vocabulary and style suggest that the Old Testament is a composite of various sources. The...

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Bad Blood

Lorna Sage, 7 April 1994

This is a compendious, layered novel – see ‘historiographic metafiction’ in the narratology handbook – the sort of novel that intercuts time zones and genres of fiction...

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Drabble’s Progress

John Sutherland, 5 December 1991

Some readers do not much like Margaret Drabble’s later novels because they are so different from her earlier successes. She may have lost one public and not as yet entirely won over...

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