The Summer Is Over, a new exhibition in New York by the Belgian artist Luc Tuymans (until 9 February), consists of seven paintings: three pairs of canvases depicting mundane details of life in Antwerp and, alone on a wall, a self-portrait that doesn’t look much like Tuymans. The artist gazes out from the painting unthreateningly, showing none of the severity he can display in person or in photographs. His cheeks are uncharacteristically fleshy, and his full head of white hair is painted so subtly that he looks almost bald. The ubiquitous cigarette isn’t in evidence either. Nearly a third of the painting – depicting the wall over his shoulder – is simply white. Me (2011) is his first self-portrait in nearly twenty years.