Jacqueline Rose’s novel Two Women will be published in autumn 2026. She is co-director of the Birkbeck Institute for the Humanities.
On the occasion of the publication of a reader of her work by Duke University Press and of this essay, Paul Myerscough interviewed Jacqueline Rose in front of an audience at the London Review Bookshop. An audio recording of the interview can be found here.
We live in revolutionary times. I cannot imagine now what it would have been like to be thinking about Rosa Luxemburg if the revolutions...
Stefan Collini writes: ‘Yes, I’d like that very much. That really would be something to look forward to.’ Frank was already weakened and wasted by throat cancer, but my suggestion that we go to watch some cricket at Fenner’s did seem genuinely to appeal to him. There wasn’t much to look forward to by this point. On the appointed day the weather was kind, and...
For Tony Judt
What is a collective passion? And is it something we should want, or get excited about? Today the political climate across the Western world is marked, we are told, by a curious and disabling atrophy or disaffection. We do not care enough. The election of Obama would be the exception. His election was of course inspirational, notably in terms of collective life: the mass...
Simply by opening the question, widening the gap between potentiality and history, between the inner message of a faith and a religion in the vice of political power, or more simply between a text and its interpretation, you make it impossible to lay the worst – and honour killing has a fair claim to be described as the worst – at Islam’s door. Such forms of questioning, at which of course feminism excels, have always been the strongest riposte to the brute conviction of any power or law.
Jacqueline Rose discusses her book On Violence and On Violence Against Women with Jude Kelly.
Jacqueline Rose reads her piece on the connections between Frank Kermode and Nigel Farage.
Jacqueline Rose discusses the parallels between Rosa Luxemburg and Marilyn Monroe, with Hilary Harper.
Jacqueline Rose discusses the full range of her work with Justin Clemens at the 2013 Melbourne Writers Festival.
Jacqueline Rose asks, for whom or what in 1950s and early 1960s America was Marilyn Monroe carrying the can?
Paul Myerscough talks to Jacqueline Rose about her career, from her groundbreaking work on feminism in the 1970s through to her more recent writings on Zionism and the place of fantasy in the world of...
Boris Johnson’s japes are comparable in neutralising effect to the softening charm of Tony Blair. How can such a matey, blokey person, ‘someone you could have a pint with’, possess darker, colder...
‘Profonde Albertine’, the narrator writes close to the end of Proust’s novel. By ‘deep’ – profonde – he means ‘unreachable’. She was mostly...
Jacqueline Rose has written a timely and courageous book. One immediate sign of this is its dedication to the late Edward Said, and its rewriting of the title of one of his most important books,
There are good reasons, and a few bad ones, for lifting minor characters out of famous texts and putting them centre-stage. One bad reason might be that refiguring a large reputation quietly...
In the days of F.R. Leavis, English literary criticism was wary of overseas, a place saddled with effete, Latinate languages without pith or vigour. Proust is relegated to a lofty footnote in...
We all know the story. A brilliant, neurotic young American woman poet, studying on a fellowship at Cambridge, meets and marries the ‘black marauder’ who is the male poet-muse of her...
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