Dan Jacobson

Dan Jacobson, who died in 2014, was a novelist and a professor of English at UCL.

Lawrence and the Mince-Pies

Dan Jacobson, 25 October 1979

In 1932, Aldous Huxley published The Collected Letters of D.H. Lawrence, a large brown volume, printed in a curiously elaborate type, which has no doubt become something of a special item in booksellers’ catalogues. It contained 889 pages. Exactly 30 years later Harry T. Moore edited The Collected Letters of D.H. Lawrence. This consisted of two volumes totalling 1,307 pages. Both before and subsequently several smaller, independent collections of letters appeared; one, for example, contained the correspondence Lawrence had with Bertrand Russell during the First World War, another, entitled Lawrence in Love, presented the letters he wrote during his abortive engagement to Louie Burrows, one of the many girls who seem to have fallen irrevocably in love with him when he was an unknown youth. Now, it seems, those of us who live long enough will eventually be able to peruse The Letters of D.H. Lawrence in no less than eight volumes, of which the one under review is the first. It contains 579 pages. Since the last volume of the series will, we are told, be an index volume, and will presumably be shorter than the others, one can calculate that when the publication of the series is concluded, it will consist of approximately 4,500 pages.

The Secret of Bishop’s Stortford

Dan Jacobson, 22 November 1979

It was not a pilgrimage that took us to Bishop’s Stortford, but simply a search for lunch. Once in the little town, however, we were reminded of what we had known and then forgotten: that it was the birthplace of Cecil John Rhodes. Moreover, we were told that the house in which Rhodes was born had been turned into a museum. Since my wife had been born in Rhodesia, and I had grown up in Kimberley, we felt we had no choice in the matter: we had to go and visit it.

Venus de Silo by

Dan Jacobson, 7 February 1980

There are several reasons why it is possible, or perhaps even desirable, to disapprove of Tom Wolfe’s writing. It is sometimes verbose; occasionally it is too pleased with its own effects; it is bespattered with arch capital letters and exclamation-marks, in a manner that reminds one of Winnie the Pooh; despite the last comparison, its cadences and vocabulary are deplorably un-English. However, there are also many reasons (of a far more compelling kind, in my view) why it is possible greatly to admire his writing. It can be quick, vivid, high-spirited, resourceful, full of surprise, extremely funny; because the author delights so much in what he detests, and because he has such an uncontrollably mischievous impulse to debunk what he most esteems, every sharply observed detail is carried on an exhilarating surge and backwash of feeling. Furthermore, his prose style is capable of building up to certain big moments, and then sustaining them eloquently over many pages.

Naked and glistening

Dan Jacobson, 3 April 1980

There is an ‘Africa’ one revisits every time they show certain kinds of old movie on television: the Tarzan films, for example. It is a rather strange part of the world, inhabited for the most part by white men in jodhpurs and pith helmets, with revolvers strapped around their waists, who are followed about by hordes of half naked porters carrying bundles on their heads. These bundles seem to be used for one purpose only: they are to be thrown down on the ground whenever the porters fall into a panic and run off jabbering into the jungle. By the look of it, the jungle consists chiefly of a few square yards of rhododendrons, but it can give way suddenly to vast tracts of sand under a blazing arclamp, or to high mountains of paster-of-paris, some of which conceal lost cities, or prehistoric creatures, or other revolver-toting, pith-helmeted whites. From the way they frown and scowl and talk English with a foreign accent, the latter can clearly be seen to be up to no good.

The last time I had visited the Newtown Market in Johannesburg was during my final year at the local university. I went to the market as a member of a group collecting food for the families of African strikers: others in the party included a man who is now a professor of sociology at an English university (he was the one of us who had a motor-car), and a girl with a wonderfully clear, fine brow for whose sake I had become involved in the whole undertaking. Amid the usual disorder of porters, hawkers and shoppers, of crates and wood-shavings from crates, of spoiled fruit and the smell of spoiled fruit, we went from stall to stall, soliciting contributions. Many of the stallholders were Indians; they were not noticeably more responsive to our requests than their white competitors. We managed to get together a few bags of potatoes, a sack of oranges and a basket or two of cabbages, which we carried back to the car. Later, we delivered the stuff to a piece of wasteland behind a corrugated-iron fence, grandlosely entitled the Bantu Athletic Club, where some sporting and educational activities, and much illegal drinking, used to take place.

Uninfatuated: Dan Jacobson

Tessa Hadley, 20 October 2005

‘If anthropology is obsessed with anything,’ Clifford Geertz says, ‘it is with how much difference difference makes.’ The same could be said of the novel. And...

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Both these books are about recovering and redeeming a past: the past of Dan Jacobson’s grandfather, Heshel Melamed, the rabbi of a community of Jews in the obscure Lithuanian village of...

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Pale Ghosts

Jeremy Harding, 12 January 1995

Dan Jacobson grew up in the diamond town of Kimberley, South Africa. England was one of the places he looked to for inspiration. As it turned out, his interest in English literature and his habit...

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Intolerance

Julian Symons, 8 October 1992

A parable, an allegory, a moral fable, must convince us first on the literal level to have full effect in its symbolic message. In ‘The Metamorphosis’ and The Trial our attention is...

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Word-Processing

Stephen Wall, 12 September 1991

There have always been novels with a highly developed sense of their own means of production. When, at the end of Mansfield Park, Jane Austen said she’d let other pens dwell on guilt and...

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Nuvvles

Stephen Wall, 16 March 1989

Novelists on the novel – or, at any rate, good novelists on the novel – often write with a vigour and a commitment to the form that shames more academic approaches. Such...

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Patrick Hamilton is remembered today, if at all, for the short pre-war novel Hangover Square, and the stage thrillers Rope and Gaslight. They are good of their kind, but they lack the feel of...

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Dan’s Fate

Craig Raine, 3 October 1985

In Speak, Memory, the five-year-old Nabokov is led down from the nursery in 1904 to meet a friend of the family, General Kuropatkin. To amuse me, he spread out a handful of matches on the divan...

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The Bible as Fiction

George Caird, 4 November 1982

When three distinguished literary figures are impelled to write about the Bible, it is clear that this strange library of books has lost nothing of its perennial fascination. All three grapple...

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