Charles Nicholl

Charles Nicholl is preparing a revised edition of A Cup of News, his biography of the Elizabethan pamphleteer Thomas Nashe.

The Devil upon Two Sticks: Samuel Foote

Charles Nicholl, 23 May 2013

The career of the Georgian comedian Samuel Foote is a chequered story of twists and scrapes, setbacks and rebounds, but its ending is bleak, and out of apparently lightweight materials there emerges a sort of tragedy. In theatrical lore the most famous of his setbacks was the amputation of a leg (probably his left) after a riding accident. Foote is a pretty good name for any comedian but for...

The Other Thomas

Charles Nicholl, 8 November 2012

‘The tale of the apostle Thomas is a sea unspeakably vast.’ Thus the Syriac poet Jacob of Sarugh, who lived in upper Mesopotamia in the late fifth and early sixth centuries. The words are stirring but to our ears perhaps surprising, because in the West we think we know Thomas’s ‘tale’ and its significance pretty well. He was ‘one of the twelve’, the...

‘The Battle of Anghiari’

Charles Nicholl, 26 April 2012

Leonardo da Vinci is seldom out of the news. The story of 2011 was the Salvator Mundi, a serene and ringletted image of Christ formerly considered the work of a pupil or imitator, but now – after restoration, analysis and a substantial helping of hype – attributed to the brush of the master. No sooner had this excitement died down than the long-running saga of Leonardo’s...

Death in Florence

Charles Nicholl, 23 February 2012

Andrea del Castagno was one of the greatest Florentine painters of the Quattrocento – masterful in technique, spare and hard-edged in style, idiosyncratic to the point of strangeness. He was a hill farmer’s son from the Mugello, born in about 1419 in the hamlet of Castagno on the western flank of the Apennines. The first record of him is as a six-year-old bocca – a ‘mouth’, or dependant – in his father’s tax return. He is listed as Andreino, a diminutive which persisted throughout his life, possibly suggesting he was a small man.

Cardenio’s Ghost: The Bits Shakespeare Wrote

Charles Nicholl, 2 December 2010

Lewis Theobald’s Double Falsehood had its premiere at the Theatre Royal on Drury Lane on 13 December 1727. It was a romantic tragicomedy in a Spanish setting; the story was from an episode in Don Quixote. Theobald’s statement that it met with ‘universal applause’ is untrue, but it certainly created a buzz. The play ran for ten consecutive performances – no mean...

What with all those Henrys being succeeded by all those other Henrys in the histories, and all those worryingly ghostly patriarchs looming over the tragedies – Julius Caesar, Old Hamlet,...

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Delirium: Arthur Rimbaud

Jeremy Harding, 30 July 1998

Jean-Nicolas-Arthur Rimbaud, poet and ex-poet, took a 41 shoe – about a seven and a half in British sizes, an American eight. We have his own word on this, in a letter written shortly...

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Behind the Waterfall

Lorna Scott Fox, 16 November 1995

He was a middle-aged had-been, returning in a flurry from his entrada into the Spanish Main with a crop of tall stories and a bag of glittery sand, to the yawns of Queen and country. More...

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Blame it on the Belgians

Hilary Mantel, 25 June 1992

‘You don’t want to see him,’ said the porter at Corpus, when Charles Nicholl went to Cambridge to look at the portrait that is probably Christopher Marlowe. ‘He died in a tavern brawl.’

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Turning down O’Hanlon

Mark Ford, 7 December 1989

In The Orators W.H. Auden classified bird buffs as ‘excessive lovers of self’: they illustrate the psychological type who is ‘unable to taste pleasure unless through the rare...

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