Charles Hope

Charles Hope’s most recent book is Titian: Sources and Documents. He is writing a book on Vasari.

At the National Gallery: Veronese

Charles Hope, 8 May 2014

For anyone​ wishing to organise an exhibition of his works, Veronese presents a particular challenge. He was exceedingly prolific and many of his best paintings are too large to be moved. He also employed a team of able assistants, whose contribution to individual pictures is generally hard if not impossible to assess. The Veronese show now at the National Gallery (until 15 June) is the...

At the National Gallery: Barocci

Charles Hope, 9 May 2013

Successful artists are usually attracted to major cities, where reputations are most easily made and commissions most abundant. Barocci was a conspicuous exception. Born in the 1530s in the provincial backwater of Urbino, the birthplace also of Raphael, he completed his training in Rome, but then, probably in 1563, returned to his native town, where he remained for almost the whole of his...

At Eton

Charles Hope, 7 March 2013

Henry VI had an unusually long reign, but on most counts a singularly unfortunate one. He lost the lands gained in France by his father Henry V, he became embroiled in the Wars of the Roses, his son was killed and he himself died in mysterious circumstances as a prisoner in the Tower of London. Although lacking the qualities required in an effective monarch, he proved to be an outstanding...

Like Mannequins: Luca Signorelli

Charles Hope, 20 December 2012

There used to be a widespread practice in Italy, particularly in the 1960s and in Tuscany, of removing baroque additions of all kinds from old churches, in a usually implausible attempt to restore them to something resembling their medieval appearance. This led to the destruction or dispersal of many fine works of art, and often gave the restored buildings an empty appearance they had...

The small exhibition at the National Gallery entitled Titian’s First Masterpiece: ‘The Flight into Egypt’, open until 19 August, is centred on a large canvas from the Hermitage. The picture has not been much discussed by scholars. This is partly because it has just emerged from a lengthy restoration, partly because it is known to most specialists mainly or only through...

Titian’s Mythologies

Thomas Puttfarken, 2 April 1981

If Titian’s reputation were to be assessed by the number and quality of the monographs devoted to him during this century, it would be hard to believe that he was one of the greatest...

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