Anthony Grafton

Anthony Grafton teaches European history at Princeton. He has written biographies of Joseph Scaliger, Leon Battista Alberti and Girolamo Cardano, as well as The Footnote: A Curious History, What Was History? and Inky Fingers: The Making of Books in Early Modern Europe.

The 17th-century antiquary John Selden spent his life deciphering Greek inscriptions and interpreting Near Eastern myths. No scholar of his time had more experience with the historical study of material remains; no one knew better how easily a modern intellectual can read too much into an ancient object. As he remarked one day, ‘It was an excellent question of my lady Cotton, when Sir Robert Cotton was magnifying of a shoe, which was Mose’s or Noah’s, and wondering at the strange shape and fashion of it: But Mr Cotton, says she, are you sure it is a shoe?’‘

Diary: Warburg

Anthony Grafton, 1 April 1999

We have been in Hamburg for four months now, living above the shop – in the attic of the Warburg-Haus, where I am the visiting professor for Wintersemester 1998-99. This is the original home of what is now the Warburg Institute in London, the interdisciplinary centre for research in the history of the classical tradition created early this century by the brilliant, haunted cultural historian Aby Warburg. After more than half a century, the Warburg-Haus has come back to life as a centre for scholarship of a different kind, and in a different Germany.

Thank you for your letter: Latin

Anthony Grafton, 1 November 2001

Every spring at my university’s Convocation, an undergraduate addresses the assembled students, parents and faculty in Latin. Parents receive a plain copy of the text, which few of them can read. Most of the students can’t read it either. But they receive a different, annotated version. Footnotes, always written in Latin – ‘hic ridete’; ‘hic plaudite’...

Giambattista Vico knew that history began with the giants: the primitive men and women who lived after the universal Flood, and invented myth and poetry. More important, he knew why they had become so immense. The Jews, God’s holy people, had kept themselves cleanly, in accordance with divine commands, and had achieved only ordinary stature. But non-Jewish babies had played with their...

He had fun: Athanasius Kircher

Anthony Grafton, 7 November 2013

Even in the middle years of the 17th century, when Athanasius Kircher’s career reached its peak, nobody knew exactly what to make of him. Descartes, who described him as ‘more charlatan than scholar’, classed his enormous erudite books among the many that he refused on principle to read. John Evelyn, visiting Rome in 1644, was impressed when ‘with Dutch patience, he...

Despite their obvious significance in the production of books, correctors were treated like manual labourers. One complained that he and his colleagues ‘would be off like a shot from this sweatshop’...

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When the King’s printer Robert Barker produced a new edition of the King James Bible in 1631, he overlooked three letters from the seventh commandment, producing the startling injunction:...

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Things Keep Happening: Histories of Histories

Geoffrey Hawthorn, 20 November 2008

A story, as John Burrow says of his own History of Histories, is selective. It looks forward ‘to its later episodes or its eventual outcome for its criteria of relevance’. Hence a...

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Giovanni Pisano and Giotto are widely recognised as the founders of Renaissance sculpture and painting, and Brunelleschi of Renaissance architecture, but it was Leon Battista Alberti (1404-72)...

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It is a shame for a 16th-century historian to know nothing about astrology, but that has been my case, and I should think that of most others in this branch of the profession. I come across, say,...

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When Browning’s grammarian, grown old and bald and sick, was urged to get out of his cell and see a bit of life before he died, he replied that he still had work to do: ‘Grant I have...

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In one era and out the other

John North, 7 April 1994

The first great Scaliger problem is that of distinguishing between father and son. When Swift, in his Treatise on Good Manners and Good Breeding, insisted that fiddlers, dancing-masters, heralds...

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Well done, you forgers

John Sutherland, 7 January 1993

It is difficult to talk sensibly about literary forgery when one has to call it that. The term carries heavy legal baggage. Criminal forgery – in the form of counterfeit money or altered...

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Patrons

Peter Burke, 15 October 1987

‘Patrons are patrons,’ a citizen of Florence wrote to the Grand Duke, Ferdinando de’Medici, in 1602: ‘the patron is accountable to no one.’ But what exactly was a...

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Homage to Scaliger

Hugh Lloyd-Jones, 17 May 1984

Joseph Scaliger (1540-1609) was a towering figure in the history of European scholarship. During the first half of his career, he virtually created the systematic study of early Latin; during the...

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