Anna Aslanyan

Anna Aslanyan’s book, Dancing on Ropes: Translators and the Balance of History, came out in 2021.

From The Blog
9 February 2018

‘There’s a writer in England called … er, Peter Ackroyd,’ David Bowie said in a short film he made in 2003, ‘who wrote a book called … Hawksmoor I think it was. Wasn't it? Yeah.’ Ackroyd's 1985 novel struck him as 'a very powerful book, and quite scary', and in 2013 Bowie included it on a list of his favourite 100 books, ranging from the Beano to The Origin of Consciousness in the Breakdown of the Bicameral Mind. His son, the filmmaker Duncan Jones, recently launched #BowieBookClub to discuss 'dad's favs' on Twitter, choosing Hawksmoor as 'an amuse cerveau before we get into the heavy stuff'.

From The Blog
7 December 2017

Colourful banners hang from the balconies of Bowater House: 'Under London, heaven's light, grow life, not loot,' one of the 21 slogans says. Another: 'One day will this shadow fall.' The building is part of the Golden Lane Estate, a Grade II-listed social housing complex designed in the 1950s and built on a bomb site in the City of London. Bernard Morgan House opposite is shrouded in white sheets bearing the logo 'Taylor Wimpey'. The developer is about to demolish the building, which housed key workers between 1960 and 2015, and replace it with a 10-storey luxury block called The Denizen.

From The Blog
20 September 2017

'People are like boats, we head off for a place we've been longing to visit for ages,' says a character in 'Pirate Rum', a short story by Tove Jansson. 'Maybe an island. Finally we get there. And what happens? We go right past, further out.' Having set off in a canoe, the man gets caught in a storm and is sheltered by two women living on a secluded island.

From The Blog
15 August 2017

In the queue for Flying Pig Theatre’s new production of Euripides’Bacchae, I overheard a man talking to his female companions about the prospect of sitting in the front row: ‘What if there’s audience participation?’ I was reminded of Dionysus in 69, Richard Schechner’s adaptation of the play. 

From The Blog
24 April 2017

'I'll interview you in a minute,' a man with a dictaphone said to me at the entrance to the Science Museum on Saturday. A sociologist from Brunel University, he was there to conduct field research, asking people why they were on the March for Science. The crowd – archaeologists and neuroscientists, physicists and psychologists, academics and the 'sci-curious' – was quieter than the average London protest, chanting occasionally: 'What do we want? Evidence-based research. When do we want it? After peer review.'

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