Alex Harvey

In​ Peeping Tom (1960), Michael Powell’s brutal parable on the nature of film, a woman confronts a young cameraman, Mark, in his darkroom. Mrs Stephens, who is blind, realises there’s something disturbing about Mark, something linked to his compulsive filmmaking. ‘I’m listening to my instinct now. And it says: “All this filming isn’t healthy.”’...

Amit Chaudhuri​ visited Europe for the first time at the age of eleven. In 1973 the world felt steady; it had ‘a kind of wholeness to it’. The co-existence of capitalism and communism seemed permanent. Forty years later, visiting Berlin, he felt the need ‘to grasp fleetingly, what one had lost’. He had grown up in non-aligned India, which balanced democratic...

When​ Jean-Patrick Manchette was asked about his first encounter with detective fiction, he mentioned a scene from Black Wings Has My Angel by the American writer Elliott Chaze. Originally published in 1953, this obscure lovers-on-the-run thriller was only available, until recently, in French translation.*

She was sitting on the floor, naked, in a skitter of green bills … scooping up...

Death​ was Denis Johnson’s subject: the already dead, the dying but not yet dead and the rush of life in its last seconds. In Angels (1983), his first novel, Johnson describes his protagonist’s final moments. Bill Houston, a petty criminal and heavy drinker, is facing the death penalty after killing a security guard:

He felt he could hold his breath for ever – no problem....

Scott Fitzgerald​ spent his declining years in ‘a hideous town, pointed up by the insulting gardens of its rich, full of the human spirit at a new low of debasement’. Hollywood, he complained in 1940, was ‘a dump, in the human sense of the word. Everywhere there is … either corruption or indifference.’ He used to wear a dark topcoat and homburg; ‘his...