Alan Bennett’s first play, Forty Years On, was produced in 1968; his most recent, Allelujah! in 2018. The Choral, for which he wrote the screenplay, was released in 2025. Bennett’s diary for 1983 appeared in the LRB, and we carried his diary every year after that until 2023. He now claims his life is so dull he won’t inflict it on LRB readers. The Lady in the Van was first published in the paper, and the LRB has also carried some of his Talking Heads monologues; short stories, such as ‘The Uncommon Reader’; pieces of memoir; and reviews, including ‘The Wrong Blond’, on W.H. Auden and Chester Kallman, and ‘Alas! Deceived’, on Philip Larkin.
12January. A New York producer sends me Waiting in the Wings, Noël Coward’s play about a theatrical retirement home – Denville Hall, I suppose it is. He wants me to update it, though lest I should think this kind of thing beneath me what he says he wants is ‘a new perspective on the play’.’‘
On the many occasions Midgley had killed his father, death had always come easily. He died promptly, painlessly and without a struggle. Looking back, Midgley could see that even in these imagined deaths he had failed his father. It was not like him to die like that. Nor did he.
There is a wood, the canal, the river and above the river the railway and the road. It’s the first proper country that you get to as you come north out of Leeds and going home on the train I pass the place quite often. Only these days I look. I’ve been passing the place for years without looking because I didn’t know it was a place; that anything had happened there to make it a place, let alone a place that had something to do with me. Below the wood the water is deep and dark and sometimes there’s a boy fishing or a couple walking a dog. I suppose it’s a beauty spot now. It probably was then.
10 January. Listen to a tape Ariel Crittall has made about her life at the request of the Imperial War Museum. She remembers meeting Unity and Diana Mitford off the train in Munich on the morning of the Night of the Long Knives and Diana saying: ‘What bliss. The first time I’ve been on a train without a nanny or a husband!’‘
Alan Bennett reads from his 2018 diary, in which he puts on a new play and finds himself on someone’s arm.
Alan Bennett reads from his 2017 diary, in which he finds his métier at last.
Alan Bennett reads from his 2016 diary, in which he wonders what ’memes‘ are and goes to Venice.
Alan Bennett reads from his diary for 2015, in which he shouts at the top of his voice and works the red carpet with Alex Jennings.
Alan Bennett explains his objections to private education.
Alan Bennett reads from his 2014 diary, in which he looks after a dog and his memoir, The Lady in the Van, is made into a film.
Alan Bennett reads from his 2013 diary, in which he refuses to pay his bills and celebrates the National Theatre’s 50th birthday.
Alan Bennett reads from his 2012 diary, in which he appears on Family Guy and starts rehearsals for a new play.
Alan Bennett reads from his 2011 diary, in which he considers the banana skin and is mistaken for ‘another Alan’.
Alan Bennett introduces his latest play, The Habit of Art, and responds to questions from the audience about the play, and about his life and work to date.
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