It starts with an itch: ‘People’
Alan Bennett, 8 November 2012
I sometimes think that my plays are just an excuse for the introductions with which they are generally accompanied. These preambles, while often gossipy and with sidelights on the rehearsal process, also provide me with a soapbox from which I can address, sometimes more directly than I’ve managed in the play itself, some of the themes that crop up in the text. In The History Boys it was private education; in The Habit of Art biography; in People, though, I’m not sure. Some plays seem to start with an itch, an irritation, something one can’t solve or a feeling one can’t locate.





