Alan Bennett

Alan Bennett’s first play, Forty Years On, was produced in 1968; his most recent, Allelujah! in 2018. The Choral, for which he wrote the screenplay, was released in 2025. Bennett’s diary for 1983 appeared in the LRB, and we carried his diary every year after that until 2023. He now claims his life is so dull he won’t inflict it on LRB readers. The Lady in the Van was first published in the paper, and the LRB has also carried some of his Talking Heads monologues; short stories, such as ‘The Uncommon Reader’; pieces of memoir; and reviews, including ‘The Wrong Blond’, on W.H. Auden and Chester Kallman, and ‘Alas! Deceived’, on Philip Larkin.

It starts with an itch: ‘People’

Alan Bennett, 8 November 2012

I sometimes think that my plays are just an excuse for the introductions with which they are generally accompanied. These preambles, while often gossipy and with sidelights on the rehearsal process, also provide me with a soapbox from which I can address, sometimes more directly than I’ve managed in the play itself, some of the themes that crop up in the text. In The History Boys it was private education; in The Habit of Art biography; in People, though, I’m not sure. Some plays seem to start with an itch, an irritation, something one can’t solve or a feeling one can’t locate.

Diary: What I did in 2011

Alan Bennett, 5 January 2012

 

6 January. The alterations we have been having done are now pretty much finished, thanks to Max, a young Latvian who’s unsmiling but an excellent carpenter and Eugene, much jollier and from New Zealand who has supervised it all. Walking round the job this evening R. is shocked to discover in the bathroom above the bath a crudely made wooden cross. He takes this to be the work of...

Baffled at a Bookcase

Alan Bennett, 28 July 2011

I have always been happy in libraries, though without ever being entirely at ease there. A scene that seems to crop up regularly in plays that I have written has a character, often a young man, standing in front of a bookcase feeling baffled. He – and occasionally she – is overwhelmed by the amount of stuff that has been written and the ground to be covered. ‘All these books. I’ll never catch up,’ wails the young Joe Orton in the film script of Prick Up Your Ears, and in The Old Country another young man reacts more dramatically, by hurling half the books to the floor. In Me, I’m Afraid of Virginia Woolf someone else gives vent to their frustration with literature by drawing breasts on a photograph of Virginia Woolf and kitting out E.M. Forster with a big cigar. Orton himself notoriously defaced library books before starting to write books himself. This resentment, which was, I suppose, somewhere mine, had to do with feeling shut out.

Diary: What I did in 2010

Alan Bennett, 16 December 2010

31 December 2009, Yorkshire. Call Rupert to the back door to watch a full moon coming up behind the trees at the end of the garden. It’s apparently a ‘blue moon’, i.e. the second full moon this month, which happens every two or three years. The next blue moon on New Year’s Eve won’t be until 2028 so it’s the last one I shall ever see – and it’s...

‘I gather you’re my wife,’ said the man in the waiting room. ‘I don’t think I’ve had the pleasure. Might one know your name?’

Middle-aged and scrawny he was bare-legged and underneath his shortie dressing-gown Mrs Donaldson thought he might be bare altogether.

‘Donaldson.’

‘Right. Mine’s Terry. I’ve been away.’

He...

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