Alan Bennett’s first play, Forty Years On, was produced in 1968; his most recent, Allelujah! in 2018. The Choral, for which he wrote the screenplay, was released in 2025. Bennett’s diary for 1983 appeared in the LRB, and we carried his diary every year after that until 2023. He now claims his life is so dull he won’t inflict it on LRB readers. The Lady in the Van was first published in the paper, and the LRB has also carried some of his Talking Heads monologues; short stories, such as ‘The Uncommon Reader’; pieces of memoir; and reviews, including ‘The Wrong Blond’, on W.H. Auden and Chester Kallman, and ‘Alas! Deceived’, on Philip Larkin.
I’ve kept a sporadic diary for about ten years. Besides the occasional incident that seems worth recording, I put down gossip and notes on work and reading. These are some extracts from last year. London is Camden Town and Yorkshire a small village in Craven to which my parents retired, and where I still have a house.
My first thought was that this whole enterprise is definitely incongruous. A birthday party for Philip Larkin is like treating Simone Weil to a candlelit dinner for two at a restaurant of her choice. Or sending Proust flowers. No. A volume of this sort is simply a sharp nudge in the direction of the grave; and that is a road, God knows, along which he needs no nudging.
One of John Osborne’s Thoughts for 1954: ‘The urge to please above all. I don’t have it and can’t achieve it. A small thing but more or less mine own.’ This book does please and has pleased. It is immensely enjoyable, is written with great gusto and Osborne has had better notices for it than for any of his plays since Inadmissible Evidence.
Books are safer than...
Two middle-class men talking. Call them Charles and Henry.
CHARLES: And did you have to go through that tedious charade, sexual intercourse?
HENRY: (enthusiastically) Oh yes. From A to Z.
CHARLES: Z? B is the furthest I’ve ever felt it necessary to go.
HENRY: A. B. C. D. The whole alphabet of love.
CHARLES: What form did it take?
HENRY: A myriad forms.
CHARLES: Put it in and jiggle it...
I am meeting my father at the station. I stand at the barrier as the train draws in and see him get off. As he walks along the platform he catches sight of me and waves. I wave back and we both smile. However, he still has some considerable distance to cover before reaching the barrier. Do I keep a continuous smile on my face during that period, do I flash him an occasional smile or do I look away?
Alan Bennett reads from his 2018 diary, in which he puts on a new play and finds himself on someone’s arm.
Alan Bennett reads from his 2017 diary, in which he finds his métier at last.
Alan Bennett reads from his 2016 diary, in which he wonders what ’memes‘ are and goes to Venice.
Alan Bennett reads from his diary for 2015, in which he shouts at the top of his voice and works the red carpet with Alex Jennings.
Alan Bennett explains his objections to private education.
Alan Bennett reads from his 2014 diary, in which he looks after a dog and his memoir, The Lady in the Van, is made into a film.
Alan Bennett reads from his 2013 diary, in which he refuses to pay his bills and celebrates the National Theatre’s 50th birthday.
Alan Bennett reads from his 2012 diary, in which he appears on Family Guy and starts rehearsals for a new play.
Alan Bennett reads from his 2011 diary, in which he considers the banana skin and is mistaken for ‘another Alan’.
Alan Bennett introduces his latest play, The Habit of Art, and responds to questions from the audience about the play, and about his life and work to date.
Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.
For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.