Adam Mars-Jones

Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His latest novel, Caret, was published in 2023. Box Hill has been adapted into a film, Pillion, which had its premiere at Cannes.

Mike McCormack​ , the winner of last year’s Goldsmiths Prize with Solar Bones, could seem to be redressing a balance by making his book a single undivided utterance. A Girl Is a Half-Formed Thing, the novel by Eimear McBride that won the inaugural prize in 2013, was prodigal in its use of full stops: there were often three or four in a line of print. By banishing the mark altogether...

Tied to the Mast: Alan Hollinghurst

Adam Mars-Jones, 19 October 2017

Alan Hollinghurst​ ’s tally as a published novelist is six books over 29 years, so that’s more than two thousand pages of astonishing responsiveness to light, sound, painting, the past, social nuance, music, sensation both sexual and otherwise, buildings inside and out, the inner life of sentences – this is only the beginning of a list. He is saturated in the literary...

Constellationality: Olga Tokarczuk

Adam Mars-Jones, 5 October 2017

Olga Tokarczuk’s​ novel Flights could almost be an inventory of the ways narrative can serve a writer short of, and beyond, telling a story. The book’s prose is a lucid medium in which narrative crystals grow to an ideal size, independent structures not disturbing the balance of the whole. Thirty pages seems to be the maximum dimension for her purposes – only one story...

There’s​ a strange moment in Ha Jin’s new novel when the narrator, Feng Danlin, an expatriate Chinese journalist writing on culture and politics for an independent news agency based in New York, is asked by one of the organisers of a festival of Chinese culture, held in Berlin, to assess a dozen or so translated novels that have been chosen as representative of modern writing...

John Maltby​ , the studio potter and sculptor, used to say that you can’t make a teapot about your father’s death. Grayson Perry’s whole career assumes the opposite, that you can express any amount of personal and social comment through traditional forms of craft, not just pottery but tapestry and textile design: the Tate sells a printed silk headscarf of his that...

In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...

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Zero Grazing

John Ryle, 5 November 1992

Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...

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Plague Fiction

Charles Nicholl, 23 July 1987

It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....

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Ugly Stuff

Ian Hamilton, 15 October 1981

William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...

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