Adam Mars-Jones is a professor of creative writing at Goldsmiths. His novels include Box Hill and Batlava Lake, which are quite brief, and Pilcrow and Cedilla, which are intended to be part of a million-word sequence. An early version of some of Kid Gloves: A Voyage round My Father appeared in the LRB. His latest novel, Caret, was published in 2023. Box Hill has been adapted into a film, Pillion, which had its premiere at Cannes.
Hindsight is the way we make sense of the world, and the events and impressions of the morning are reworked any number of times before evening, with the result that any historical novel is bound to be as processed as spray-on cheese. What makes a narrative come alive is the Stendhal touch, a flick of the tail that propels the reader up past the rapids to a pool where things haven’t...
To go on a starvation diet in terms of the comma (including the inverted ones that designate speech), as Eimear McBride does in her remarkable, harshly satisfying first novel, may not seem a particularly drastic discipline, set beside such feats as eliminating the letter ‘e’ (Perec’s La Disparition, Englished by Gilbert Adair as A Void) or telling Ophelia’s side of the...
If Taiye Selasi’s debut novel was as fascinating as its acknowledgments pages the book would be a triumph. Acknowledgments in books have gone the way of Oscar acceptance speeches in recent years, with ever more exhaustive tributes – though in the case of a book no prize has yet been awarded. Selasi’s list contains more than 150 names, and begins: ‘I am so very grateful...
Kate Atkinson is in no danger of prosecution for misrepresenting goods. Life after Life does exactly what it says on the spine of the book, offering a number of versions of the life of Ursula Todd, born in 1910. These lives aren’t exactly alternatives: it’s unclear what happens to the (very slightly) variant worlds when she dies in them, but then how would this information be...
Where Jim Crace’s Harvest refused all the conventions of the historical novel, Rupert Thomson’s Secrecy seems to run eagerly towards them, and yet the effect once again is of a genre being unpicked and rewoven.* A superabundance of signposts, it turns out, can be as disorienting as their absolute absence.
Exposition of period and person is almost caricaturally lucid in Secrecy,...
Adam Mars-Jones reads his review of J.K. Rowling’s The Casual Vacancy.
Adam Mars-Jones describes his relationship with his writing, and the origins of Kid Gloves, his acclaimed memoir of his father.
In 1948, Tennessee Williams published a short story (and collection of the same title) called ‘One Arm’. It is about Oliver Winemiller, a magnificent young navy boxer who lost an arm...
Seventy-four years ago a viral pandemic began in America, most likely on a pig farm in Iowa. Fifteen months later it had killed over eighteen million people, 1 per cent of the world’s...
It sounds like it’s something to do with helping, but that is very far from its meaning. I can’t remember when we first started hearing it; no more than five or six years ago, surely....
William Trevor is bewitched by childhoods and by second childhoods: the ‘grown-up’ bit in between is for him a dullish swamp of lies, commerce, lust and things like that. For Trevor,...
Read anywhere with the London Review of Books app, available now from the App Store for Apple devices, Google Play for Android devices and Amazon for your Kindle Fire.
For highlights from the latest issue, our archive and the blog, as well as news, events and exclusive promotions.