At a protest in Louisville, Kentucky, last month – the city where Breonna Taylor was murdered by police on 13 March – Chanelle Helm, a leading organiser in the local Black Lives Matter group, turned to the white protesters with a loudhailer. ‘If you are going to be here,’ she said, ‘you should defend this space.’
The white protesters – most of them women – linked arms and formed a line between the black protestors and the police. Tim Druck, a local photographer, took a picture. It went viral after the Kentucky National Organisation for Women and other groups shared it on social media.
Another tweet that went viral at the end of May was by Virgil Cent:
I think the craziest thing I witnessed today on the frontlines was Black People yelling ‘White Shield’ when the police were blocking and pushing us back
The white people moved to the front and protected us + the cops became less violent like wow wtf
On 19 November, Airbnb announced that it had removed from its website around 200 properties in Israeli settlements in the occupied West Bank. The global travel agency explained that it had decided to 'act responsibly' after considering the settlements’ 'disputed' character and their contribution to 'human suffering'.
In a cafe in Ramallah recently, an interesting page in Arabic popped up on my computer while I was reading the news. 'The chance of your life', it said. There were scrolling photomontages of a man with an earpiece, an intelligence room, an aerial picture of a targeted assassination; wads of dollars; a handshake, between two piles of passports; a man wearing a hoodie, his face obscured, in a virtual tunnel of binary numbers. I carried on reading: Do you have any information? We can help you! [Call] 1-800-800-319
Unlawful and Deadly, Amnesty International's recent report on 'rocket and mortar attacks by Palestinian armed groups during the 2014 Gaza/Israel conflict', accuses Hamas and others of carrying out 'indiscriminate attacks' on Israel: 'When indiscriminate attacks kill or injure civilians, they constitute war crimes.' The report reiterates a formal symmetry between Israelis and Palestinians (previous reports have accused Israel of war crimes during Operation Protective Edge), asking both parties to take all precautions to respect civilian lives, and reminding them to 'choose appropriate means and methods of attack'.
The decision by the chief prosecutor of the International Criminal Court, Fatou Bensouda, to open 'a preliminary examination into the situation in Palestine' could have a concrete political impact in Israel/Palestine, but not because the ICC will end up charging officials for carrying out war crimes. The ICC has yet to address any violations carried out by Western liberal states. Simply put, the geography of the ICC's investigations – from Côte d'Ivoire to Uganda – both reflects and reproduces an old colonial frame of justice. Even within this blinkered framework, the court's success rate has not been particularly impressive: in its 12 years of existence, the ICC has carried out 21 investigations; only two people have been convicted. Given that record, why has Bensouda’s announcement provoked such outrage in the Israeli government?
On 10 May, Amos Oz criticised the so-called 'price-tag attacks' carried out by Israeli settlers. The label is used by the culprits themselves to describe retaliatory violence against Palestinians: beatings and arson as well as racist graffiti sprayed on the walls of churches and mosques. Oz described the perpetrators as 'Hebrew neo-Nazi groups'. The next day, he said: The comparison that I made was to neo-Nazis and not to Nazis. Nazis build incinerators and gas chambers; neo-Nazis desecrate places of worship, cemeteries, beat innocent people and write racist slogans. That is what they do in Europe, and that is what they do here.
I first met Oday al-Khatib in 2006, when he was 15. He had travelled from Al Fawwar, a refugee camp in the West Bank, to Italy and other European countries for a series of concerts with Dal’Ouna, a group founded by the Palestinian musician Ramzi Aburedwan. They played a fantastic set of Palestinian and Arab songs, but it was Oday’s voice that made their performance most memorable.