Last November, I wrote of waiting for the grey ticks to double up and go blue when sending WhatsApp messages to my friend Ghassan Abu Sittah, who in October had narrowly missed being killed in the bombing of al-Ahli Arab and al-Shifa Hospitals in Gaza, where he had travelled from London to work as a surgeon. He survived and was inaugurated as the rector of Glasgow University, with 80 per cent of the student vote, on 11 April. He has set up a fund for Palestinian children, planning ‘for the day after’, and is speaking tirelessly to the media and audiences across the world.
Witnessing the scores of militarised police being deployed to round up student protesters, many people in the United States and across the world may be wondering what the difference is between supposedly progressive, liberal government and authoritarian, reactionary leaders like Donald Trump. The latter are certainly worse, but liberalism’s failures mean that the threat of authoritarianism is a less terrifying spectre than it ought to be.
Argentina’s interannual inflation rate is 250 per cent – only Zimbabwe’s is higher – while subway fares have risen sevenfold since January, and the public hospitals administered by the University of Buenos Aires are in danger of closing because the university can’t pay its electricity bill. The UBA, which is consistently ranked among the best universities in Latin America, could shut down in May. With the budget frozen at 2023 levels, in real terms universities are broke.
The Mykhailo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design was bombed in a Russian attack on 25 March. When I visited not long afterwards, a group of students were sitting on a grass verge, sketching what remained of their art school. ‘They’re destroying us, but we’re still drawing nevertheless,’ one of the teachers, Volodymyr Pryadka, said with a laugh.
‘Why are you crying, habibi?’ Mansoor Adayfi asked the elephant. He had got into the habit of talking to animals at Guantánamo Bay. Held in solitary confinement for years, he talked to the feral cats who prowled around his cage.
‘It is Vendler’s supreme critical virtue,’ Tom Paulin wrote in the LRB in 1998, reviewing Helen Vendler’s book The Art of Shakespeare’s Sonnets, ‘that she can write from inside a poem, as if she is in the workshop witnessing its making.’ A professor of English at Harvard for several decades, Vendler, who died yesterday at the age of ninety, also wrote books on Herbert, Keats, Dickinson, Yeats, Stevens and Heaney, among other poets, as well as editing several critical editions and anthologies. James Wood called her ‘the most powerful poetry critic in America since Randall Jarrell’. She wrote a dozen pieces for the LRB. The first, in 1993, was on Elizabeth Bishop: