Witnessing the scores of militarised police being deployed to round up student protesters, many people in the United States and across the world may be wondering what the difference is between supposedly progressive, liberal government and authoritarian, reactionary leaders like Donald Trump. The latter are certainly worse, but liberalism’s failures mean that the threat of authoritarianism is a less terrifying spectre than it ought to be.
Argentina’s interannual inflation rate is 250 per cent – only Zimbabwe’s is higher – while subway fares have risen sevenfold since January, and the public hospitals administered by the University of Buenos Aires are in danger of closing because the university can’t pay its electricity bill. The UBA, which is consistently ranked among the best universities in Latin America, could shut down in May. With the budget frozen at 2023 levels, in real terms universities are broke.
The Mykhailo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design was bombed in a Russian attack on 25 March. When I visited not long afterwards, a group of students were sitting on a grass verge, sketching what remained of their art school. ‘They’re destroying us, but we’re still drawing nevertheless,’ one of the teachers, Volodymyr Pryadka, said with a laugh.
‘Why are you crying, habibi?’ Mansoor Adayfi asked the elephant. He had got into the habit of talking to animals at Guantánamo Bay. Held in solitary confinement for years, he talked to the feral cats who prowled around his cage.
‘It is Vendler’s supreme critical virtue,’ Tom Paulin wrote in the LRB in 1998, reviewing Helen Vendler’s book The Art of Shakespeare’s Sonnets, ‘that she can write from inside a poem, as if she is in the workshop witnessing its making.’ A professor of English at Harvard for several decades, Vendler, who died yesterday at the age of ninety, also wrote books on Herbert, Keats, Dickinson, Yeats, Stevens and Heaney, among other poets, as well as editing several critical editions and anthologies. James Wood called her ‘the most powerful poetry critic in America since Randall Jarrell’. She wrote a dozen pieces for the LRB. The first, in 1993, was on Elizabeth Bishop:
‘The Rwanda bill is a legal fiction that makes the law look like an ass,’ Lord Anderson KC said in the final debate on the Safety of Rwanda (Asylum and Immigration) Bill in the House of Lords on Monday, ‘and those who make it, asses.’ Shortly afterwards, the Lords, which had sent amendments back to the Commons again and again and seen them rebuffed each time, passed the bill. The Commons won the game of parliamentary ping-pong, and Rwanda became a ‘safe country’ in the eyes of British law.
Photo © Nancy Kricorian
It’s the first time the police have been invited onto Columbia’s campus since 1968. Like 1968, 2024 may go down as an inauspicious year for university administrations trying to defend the indefensible.