T.J. Clark taught for many years at the University of California, Berkeley. He is the author of The Painting of Modern Life: Paris in the Art of Manet and His Followers; Farewell to an Idea, a history of modernism; and Heaven on Earth: Painting and the Life to Come. His many pieces for the LRB have included such subjects as Walter Benjamin, Picasso and tragedy, Cézanne’s ‘strange apprenticeship’ and the work of Lee Krasner. If These Apples Should Fall: Cézanne and the Present will be reviewed in a future issue of the LRB.
Afew weeks ago, I came across a young poet saying that the book he had been turning to during Covid was Francis Ponge’s Le Parti Pris des choses. (Siding with Things, the translation of the title in the old Faber Selected Poems, is clever, capturing as it does Ponge’s mixture of gentleness and misanthropy.) One of the most winning items in the Barbican’s Jean Dubuffet...
We are on our way to Paradise. Some say we are there already; and it is true that the soft green hill the angels are leading us towards, and the fountain perched on top with its retinue of birds, could well be a Garden of Eden. The angels are forbearing: they know we’re likely to make a slow start. Some of us look to have registered the new light in the sky, and are caught between an...
Lucien Pissarro, Camille Pissarro’s eldest son, was barely into his teens in the mid 1870s when Paul Cézanne came to live nearby. Nonetheless he retained strong memories of the time, and many years later his brother Paul-Émile wrote down these sentences at Lucien’s dictation:
Cézanne lived in Auvers, and he used to walk three kilometres to come and work with...
It must have been some time in 1966 that I bought a French travel poster of a detail from Delacroix’s Lion Hunt (1855) – the lion triumphant for a moment, claws ripping a fallen rider’s flesh, and a horse with its back broken, blood welling from one nostril. A year or so later I cut off the poster’s caption – I think it said simply ‘Bordeaux’, which...
The Lee Krasner retrospective at the Barbican (until 1 September) is not to be missed. It is rare these days to be given a chance to assess the seriousness and beauty of the best Abstract Expressionist painting. The style is unfashionable: it is thought to be overwrought, supersized, ‘American’ in a 1950s way (‘great again’) and heavy with male cigarette smoke....
In his latest book Heaven on Earth art historian T.J. Clark draws on examples from Giotto to Picasso to provide an exciting new history of the depiction of the divine. He talks to LRB contributing editor...
T.J. Clark comes face to face with Rembrandt.
T.J. Clark shows how Picasso’s first history painting, Guernica, changed the way he thought about space.
T.J. Clark’s definition of modernism draws on an old-school idea of modernity: Max Weber on ‘the disenchantment’ of a rationalised world, Georg Simmel on the ‘indifference’ of a money economy,...
People talk of painted eyes in portraits that ‘follow you round the room’. T.J. Clark, in the third of the six essays collected in his new book, Heaven on Earth, strangely inverts...
‘There are the Alps,’ Basil Bunting wrote on the flyleaf of Ezra Pound’s Cantos, ‘you will have to go a long way round/if you want to avoid them.’ T.J. Clark is an...
Like many other plutocrats who are now remembered as great collectors, J. Paul Getty began acquiring works of art in a serious way when he began to die – that is to say, in his forties (he...
The grainy photograph shows the doorway of a house, the double door itself scarcely visible, obscured by a row of three huge paintings, all four to five feet in height, which have been carefully...
‘Impressionism became very quickly the house style of the haute bourgeoisie,’ T.J. Clark observes at the close of The Painting of Modern Life. Few seem to have resisted the...
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