Diary
24 June. The day after the referendum, I spend sitting at the kitchen table correcting the proofs of Keeping On Keeping On, finishing them before going to Yorkshire in despair. I imagine this must have been what Munich was like in 1938 – half the nation rejoicing at a supposed deliverance, the other stunned by the country’s self-serving cowardice. Well, we shall see. More
Bowie
People still get into knots about the ‘mystery’ of Bowie’s serial life-swapping in the 1970s, but he’d been pulling the same trick for years on the perimeter of Tin Pan Alley before he applied it to rock. A bit of sci-fi, a bit of up-in-the-air sexuality, a bit of scarves-in-the-air sing-along, a bit of an ‘Oh no he isn’t!’ panto vibe, and a lot of power chords. More
Beryl Bainbridge
Acting came in handy. She knew how to cut a dash, draw the gaze, and deflect it. An air of vagueness – and a celebrated stuffed buffalo in the hall of her house – fed into constricted ideas about women who write books. Big brain or scatterbrain? Bainbridge had a fringe and was skinny; she looked like a chanteuse. Bingo: she was one of the dippy ones. She colluded with this. More
A General Logic of Crisis
The publication of How Will Capitalism End? comes when Wolfgang Streeck has positioned himself as the leading intellectual proponent in Germany of a Gaullist vision of Europe from the left. Now that his cards are fully on the table it is a good moment to try to answer the question: how did Streeck turn critical theory into a vehicle for the assertion of the primacy of the nation? More




