Andrew O’Hagan is the LRB's editor at large.
In his introduction to our twelfth LRB Collection, Sisters Come Second, Colm Tóibín writes that most siblings dream of being only children. Malin Hay explores this idea with Colm and Andrew O’Hagan,...
Andrew O’Hagan talks to Tom about the power of defunct objects, from the life-enhancing gadgets of his childhood to Seamus Heaney’s fax machine, and the role lost things play in fiction.
Mary-Kay Wilmers, who retired as editor of the LRB last month, talks to Andrew O’Hagan about her career, first at Faber and Faber, then the Listener, then for 42 years at the London Review of Books....
Andrew O’Hagan talks to Thomas Jones about the friendship between Robert Louis Stevenson and Henry James, and the time they spent together in Bournemouth.
Andrew O’Hagan reads his piece about attending Karl Lagerfeld’s memorial in Paris.
We look back at 40 years of the LRB in our anniversary event at Conway Hall.
Andrew O'Hagan analyses Craig Wright’s failed attempts to prove he was Satoshi Nakamoto, the creator of Bitcoin.
Andrew O'Hagan watches Craig Wright show Gavin Andresen that he holds the Satoshi key.
Mary-Kay Wilmers, Andrew O’Hagan and Ben Eastham talk to Sarah Howe about ‘Long-Form Essays in the Digital Age’.
Andrew O’Hagan describes his experiences trying to be Julian Assange’s ghost writer.
Andrew O’Hagan retraces Samuel Pepys’s infuriating journey to work and tries to cross Tottenham Court Road.
Andrew O’Hagan meets Norman Mailer just a few months before he died.
Andrew O’Hagan chaired this discussion between Linda Colley, R.W. Johnson and Tom Devine about national histories and the ways they should, and should not, be taught.
Andrew O’Hagan talks about his work for the LRB, from his first piece on the murder of James Bulger to his more recent essay on paedophile culture.
Mary-Kay Wilmers, editor of the LRB, talks to Andrew O’Hagan about her book The Eitingons, a story of the twentieth century told through the lives of her ancestors: a fur-trader, a psychoanalyst and...
About a third of the way through his first book, The Missing, Andrew O’Hagan pauses over a perception he thinks his readers may find ‘a bit surprising’. It’s an intricate...
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