More Tales from the Bolshoi

Simon Morrison

On 19 March, Anatoly Iksanov, the general director of the Bolshoi Theatre, held a press conference in Moscow to announce a month-long festival to celebrate the centenary of Stravinsky’s Rite of Spring. His aim was to reclaim the ballet for the nation that inspired it. (It had its premiere in Paris in 1913.) Most of the journalists who cleared the metal detectors were familiar faces trusted by the Bolshoi’s administration. Iksanov introduced the choreographers of the season’s four new productions, then fell silent. In February the avant-garde choreographer Wayne McGregor, who had been due to put together an entirely new production of The Rite of Spring, suddenly pulled out, leaving the Bolshoi scrambling to find a replacement. McGregor had received the commission in 2009; the concept was settled and the set designed. He hasn’t publicly explained his withdrawal, although it’s generally assumed that the recent scandals surrounding the company – most notoriously the acid attack in January on Sergei Filin, the artistic director of the Bolshoi – scared him off.

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