Even Purer than Before

Rosemary Hill

• Miss Angel: The Art and World of Angelica Kauffman by Angelica Goodden
  Pimlico, 389 pp, £17.99, September 2005, ISBN 1 84413 758 9

Lady Elizabeth Foster sits beneath a tree and avoids our gaze, lost, it seems, in thought. Behind her the Italian countryside is bathed in a warm autumnal light that sets off the delicate white and cream of her softly ruffled dress and fashionable Leghorn hat. She too is fair, her pink and white complexion carefully shaded from the afternoon sun. Painted by Angelica Kauffman in Naples and Rome in 1785 and 1786, this is a picture of refined innocence: a picture, but not in the truest sense a portrait. Elizabeth Foster was a beauty, but a notorious one. She had come to Italy to conceal an inconvenient pregnancy and had recently given birth to the Duke of Devonshire’s illegitimate daughter in a seedy boarding-house in Vietri. Having left the baby with a wet nurse, she embarked on a liaison with the Russian ambassador. Her standing in Neapolitan society was, at best, shaky.