Lend me a fiver

Terry Eagleton

  • Songs of Experience: Modern American and European Variations on a Universal Theme by Martin Jay
    California, 431 pp, £22.00, January 2005, ISBN 0 520 24272 6

Oscar Wilde called experience the name one gives to one’s mistakes, while for Samuel Johnson it was what hope triumphed over for those who married a second time. Emerson thought all experience was valuable, an opinion not shared by the inhabitants of Guantanamo Bay. Plato and Spinoza saw it as a realm of illusion, to be contrasted with the pure light of reason. Jacques Derrida deeply disliked the notion, suspecting it of dark metaphysical tendencies. For William Blake, from whom Martin Jay takes the title of his absorbing new study, experience is a domain of false consciousness and fruitless desire. For Romantics like Keats, by contrast, it is the zone of sensuous immediacy in which truth is revealed. Truth, for the Keatsian sort of Romantic, means authenticity – a fidelity to one’s feelings and sensations – rather than how it is with the world.

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