
Andreas Huyssen, Villard Professor of German and Comparative Literature at Columbia, is a founding editor of New German Critique and the author, most recently, of Present Pasts: Urban Palimpsests and the Politics of Memory.
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Vol. 26 No. 19 · 7 October 2004
pages 31-33 | 3592 words

Degeneration Gap
Andreas Huyssen
- The Dancer Defects: The Struggle for Cultural Supremacy during the Cold War by David Caute
Oxford, 788 pp, £30.00, September 2003, ISBN 0 19 924908 3
The struggle for cultural supremacy between the Soviet Union and the United States began as soon as Nazi Germany was defeated. Waged primarily in Europe, it came to an end decades before the Soviet Union collapsed. Inside the Soviet Union, cultural and scholarly contact with the West slowly but steadily eroded the ideological cohesiveness of the Soviet elites and by the time The Gulag Archipelago was published in the West in the mid-1970s, Soviet Communism had already lost what little intellectual cachet it had left in Europe.
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Letters
Vol. 26 No. 22 · 18 November 2004
From Ian Johnston
Wim Wenders's claim that 'the Yankees have colonised our unconscious' does not come from The American Friend, as Andreas Huyssen has it (LRB, 7 October), but from Wenders's preceding film, Kings of the Road.
Ian Johnston
Taipei