Merry Kicks

Mark Ford

  • Selected Poems and Related Prose by F.T. Marinetti, translated by Elizabeth Napier and Barbara Studholme
    Yale, 250 pp, £35.00, January 2003, ISBN 0 300 04103 9

F.T. (Filippo Tommaso) Marinetti liked to describe himself as the ‘caffeine of Europe’. He was undoubtedly the most daring and inventive artistic propagandist of the 20th century, and Futurism, the movement he launched with a manifesto published on the front page of Le Figaro on 20 February 1909, reconfigured the popular notion of modern art and the modern artist more widely and decisively than any of the other isms now gathered under the umbrella heading of Modernism. His movement is also, inevitably, associated with another ism: the one that took its name from the Fasci di Combattimento (organisations of First World War veterans) marshalled by Mussolini from 1919 into the Partito Nazionale Fascista.

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[*] See Marjorie Perloff’s The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture (Chicago, reissue, 336 pp., £13.50, March, 0 226 65738 8) for a comprehensive analysis of Futurism’s influence on later movements.