
Terence Hawkes is an emeritus professor of English at Cardiff University and general editor of the Accents on Shakespeare series. Shakespeare in the Present is due this year.
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Vol. 24 No. 3 · 7 February 2002
pages 25-26 | 2417 words

Putting on Some English
Terence Hawkes
- The Gatekeeper: A Memoir by Terry Eagleton
Allen Lane, 178 pp, £9.99, January 2002, ISBN 0 7139 9590 4
In the United States, ‘English’ can mean ‘spin’: a deliberate turn put on a ball by striking it so that it swerves. It’s a subtle epithet, perhaps recording a canny colonial take on the larger distortions inseparable from imperial rule. But the truth is that as the English invented ‘Great Britain’ and then began the process of large-scale colonisation, they put quite a lot of English on ‘Englishness’ itself. Broadening as the Empire grew, its characteristics blossomed, not from the blood and soil of a single nation, reflecting its culture or essentialising its way of life, so much as from a vaguely conceived, free-floating notion of ‘humanity’ itself.
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Letters
Vol. 24 No. 4 · 21 February 2002
From Patrick Parrinder
Contrary to the impression given by Terence Hawkes in his review of Terry Eagleton's The Gatekeeper (LRB, 7 February), the memoir makes no attempt to chart the history of literary studies in the last half-century. Hawkes's own sketch of this history is bizarre. His polemic against the nefarious alliance of Matthew Arnold and T.S. Eliot culminates in an account of 'The Critic as Artist', Oscar Wilde's 'astonishing reply' to Arnold, which for Hawkes is a 'call to the academic barricades'. Curious, then, that the passages Hawkes quotes from the witty Oscar are nothing but a tub-thumping repetition of Arnold's own pleas for the function of criticism.
Patrick Parrinder
London N8