Vol. 23 No. 7 · 5 April 2001
pages 17-18 | 2862 words

A Fue Respectable Friends
John Lloyd
- The British Brass Band: A Musical and Social History by Trevor Herbert
Oxford, 381 pp, £48.00, June 2000, ISBN 0 19 816698 2
George Orwell saw the patriotism of the British working class as an almost unconscious link with the middle and upper classes: ‘Just because patriotism is all but universal and not even the rich are uninfluenced by it, there can be moments when the whole nation suddenly swings together, and does the same thing, like a herd of cattle facing a wolf’ (The Lion and the Unicorn, 1941). Many working-class practices and institutions which embodied both this ‘universal’ patriotism and a desire for self-improvement were forged from a sturdy amalgam of tradition, religious observance, deference, support of the military, pride, dislike of change and adherence to class and community. The brass band movement in particular conformed to Orwell’s view of things: it was very class-conscious, but it subscribed to ideologies which socialists believed were those of the ruling class.
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Letters
Vol. 23 No. 9 · 10 May 2001
From David Buckle
John Lloyd's piece about brass bands (LRB, 5 April) reminded me of a discussion about music funding at the Arts Council in 1980. I made the mistake of asking why we didn't make any financial provision for brass bands. After a moment of shocked silence someone replied in tones rather like Lady Bracknell's: 'Brass bands?' Another said: 'Here at the Arts Council we are concerned with the high arts, not brass bands.'
David Buckle
Abingdon, Oxfordshire
Vol. 23 No. 12 · 21 June 2001
From Neal Wade
In the Scottish Borders, brass bands are the largest distinguishable group of amateur musicians. They give public concerts and play at gala days, charity events, common ridings, flower shows and coffee mornings, agricultural shows, church services and civic ceremonies. The recently reformed local brass band association organises workshops for players and lobbies local government for better funding and recognition. Membership is quite diverse in terms of age, sex, occupation and social class. David Buckle's letter (10 May) describes the 'shocked silence' when he asked at an Arts Council meeting why the organisation didn't support brass bands. Brass bands should certainly be assisted from time to time by the Arts Council and other sources of public (or semi-public) money. The money is always useful; but, more important, such actions recognise the place of brass bands in our national musical culture.
Neal Wade
Galashiels Town Band