For a Few Dollars More
Frank Kermode
- Frozen Desire: An Inquiry into the Meaning of Money by James Buchan
Picador, 320 pp, £17.99, September 1997, ISBN 0 330 35527 9
‘I have no life except in poetry,’ runs an aphorism of Wallace Stevens; but in another he says ‘Money is a kind of poetry,’ so the fact that he spent his working life as vice-president of a large insurance company did not invalidate the claim. It is plausible enough that money, with all its promises of pleasure, the anxieties it brings by being elsewhere when needed, the care one is expected to take to prevent it from disappearing unexpectedly, and, I suppose, the delight to be had in simply making it, has a certain relationship with poetry. And in so far as it is believed, whether sensibly or not, that money is somehow real and credit merely imaginary, we, who largely live on credit (mortgages, credit cards etc), could claim with Wallace Stevens that our whole life, whether we are reading or writing poetry or applying for life insurance, is an affair of the imagination. As a certain Richard Price explained in 1778, paper money must be thought of as the sign of a sign. If coin signified real value, paper, ‘owing its currency to opinion’, had ‘only a local and imaginary value’.[*] We have no choice but to re-imagine it daily.
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[*] I borrow this quotation from Peter de Bolla’s grippingly difficult chapter, ‘The Discourse of Debt’, in his book The Discourse of the Sublime (Blackwell, 1989).
