Can rebels be happy?

D.J. Enright

  • Self-Portrait of the Other: A Memoir by Heberto Padilla, translated by Alexander Coleman
    Farrar, Straus, 247 pp, £11.99, April 1991, ISBN 0 374 26086 9

After the fall of Batista in 1959, the poet Heberto Padilla, then 27 and living in New York, returned elatedly to Havana, joining the staff of the paper Revolucion. Thus helping to create the god who would later fail him. In 1961 the First Congress of Cuban Writers and Artists was held, its motto being ‘To Defend the Revolution is to Defend Culture’; simultaneously, Padilla says, it became clear that membership of the new Writers’ Union was to depend on approval by the National Board of Culture, a body designed to prevent any repetition of the Pasternak affair.

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