In the courtyard of the Villa Lampedusa, a few miles from Palermo, Frisian cows pick their way carefully through the rubble. Their home is a wasteland of defunct objects: broken boxes, squashed petrol cans, a clutter of old bath tubs. The villa itself is deserted, its broken shutters creaking with languor in the hot afternoon breeze. The façade is cracked and pockmarked, the stucco has faded to a mild ochre, but the Rococo ceilings are still intact – delicate, highly-wrought arrangements of fruit and flowers.
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