A Reading and Remembrance of Elizabeth Bowen

Sean O’Faolain

  • The Collected Stories of Elizabeth Bowen introduction by Angus Wilson
    Cape, 782 pp, £8.50, February 1981, ISBN 0 224 01838 8
  • Elizabeth Bowen: An Estimation by Hermione Lee
    Vision, 225 pp, £12.95, July 1981, ISBN 0 85478 344 X

If there ever was a writer of genius, or neargenius – time will decide – who was heart-cloven and split-minded it is Elizabeth Bowen. Romantic-realist, yearning-sceptic, emotional-intellectual, poetic-pragmatist, objective-subjective, gregarious-detached (though everybody who resides in a typewriter has to be a bit of that), tragi-humorous, consistently declaring herself born and reared Irish, residing mostly in England, writing in the full European tradition: no wonder all her serious work steams with the clash of battle between aspects of life more easy for us to feel than to define. It is evident from the complex weave of her novels that it can have been no more easy for her to intuit the central implication of any one of those conflicts – she never trod an obvious line; nor easy for her to express those intuitions in that felicitous language which, more than any other writer of her generation, she seemed to command as if verbally inspired. But that suggestion of inspiration lifts a warning finger of memory. Once, when one of her guests at Bowen’s Court, I inadvertently interrupted her when she was, as I at first thought, tapping away fluently at her desk. She turned to me a forehead spotted with beads of perspiration.

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[*] The Death of the Heart is published by Penguin (230 pp., £1.75, 0 14 001690 2). Cape reissued A World of Love (149 pp., £6.95, 0 224 60051 6) and The Hotel (199 pp., £6.95, 0 224 60057 5) last November. New editions of The Heat of the Day and The House in Paris will be published by Cape in May.