Too Many Alibis: Geoffrey Hill

James Wood, 1 July 1999

Geoffrey Hill the poet is often washing his hands. Sensuous but deeply penitential, his poetry visits waves of scruple upon itself. No contemporary poet has a more contrite ear for the...

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The Politicisation of poetry can sometimes bring back to vivid life the poet’s original outlook and preconceptions: it can also misunderstand them. A poem that comes off, and takes off,...

Read more about Hottentot in Jackboots: The Cockney School

After those months at sea, we stank worse than the Ark. Faeces of all species, God’s first creation, cooped human and brute, between wind and water, bound for this pegged-out plain in the...

Read more about Poem: ‘The Bells of Saint Babel’s’

Writing in the Tablet in 1951, Evelyn Waugh described Christopher Isherwood as the best of those British writers who had ‘captured’ the Thirties. It was not, Waugh being Waugh, high...

Read more about At Home in the Huntington: the Isherwood Archive

In the rich American vocabulary of abuse for the white rural poor, hicks and hayseeds connote ignorance but also innocence. The Hill-billie of Mathews’s Dictionary of Americanisms (1900) is...

Read more about Lunch Pumphrey, Skeets Benvenuti and a Gang of Other Vicious Tush Hogs: Daniel Woodrell

Inner Mongolia: Victor Pelevin

Tony Wood, 10 June 1999

Russian history is full of turning points. To the outside observer, there is nothing but upheaval on an unimaginable scale: revolutions, murders, war, starvation – a litany of suffering....

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What Kind of Guy? W.H. Auden

Michael Wood, 10 June 1999

‘That is the way things happen,’ Auden writes in ‘Memorial for the City’, a poem Edward Mendelson dates from June...

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Hand and Foot: Seamus Heaney

John Kerrigan, 27 May 1999

When Seamus Heaney left Belfast in 1972, to work as a freelance writer in the relative safety of the Republic, Northern Ireland was a war zone. Internment and Bloody Sunday had recruited so many...

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Sugar-Sticky: Anita Desai

Gabriele Annan, 27 May 1999

When Tim Parks reviewed Salman Rushdie’s latest novel, The Ground beneath Her Feet, in the New York Review of Books he grumbled ‘that the sheer quantity of events that crowd these 575...

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Two Poems

Mark Ford, 27 May 1999

Reproduction of whatever you are absorbing with your five senses is forbidden, and may provoke nausea, insomnia, loss of balance or blurred vision: it were better you retire, and then attack,...

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Diary: being a critic

Frank Kermode, 27 May 1999

If you wanted to make your way as a literary journalist in the days of Addison you might have done well to begin by heading for Button’s coffeehouse in Russell Street where the great man...

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Poem: ‘The Phoenix’

Ruth Padel, 27 May 1999

... her once-red head locked In a tank of steam,         Her face foxing down into nothing Saying ‘All my beauty’s gone,’ Holding on To...

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There must exist somewhere a secret handbook for post-colonial critics, the first rule of which reads: ‘Begin by rejecting the whole notion of post-colonialism.’ It is remarkable how...

Read more about In the Gaudy Supermarket: Gayatri Spivak

The first literary appearance of the mythical figure of Prometheus (whose name means ‘foresight’) is in the writings of Hesiod. Hesiod’s Titan is something of a trickster, of...

Read more about Missing the Vital Spark: Tony Harrison

When Joseph Brodsky died in January 1996, there was in Russia a strong tendency to oversimplify his life, to reduce it to an outline, and at the same time to mythologise it as Pushkin’s...

Read more about Memories of Brodsky: Akhmatova, Brodsky and Me

Two Poems

Aleksandar Ristovic, translated by Charles Simic, 13 May 1999

Purgatory We never even felt our share of the eternal in what was our life: the moments from which these bursts of activity and lethargy are made up, the similarity between here and there in...

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Will to Literature: Modernism plc

David Trotter, 13 May 1999

Modernism must be reckoned one of the lengthiest and most strenuous campaigns ever undertaken in the name of literature. Acutely conscious at once of the burden of the past – the...

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Two Hares and a Priest: Pushkin

Patricia Beer, 13 May 1999

Pushkin was no coward. But he was a dangerously indiscreet conspirator at the planning stages. His friends all said so and he was never taken into anyone’s confidence.

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