Sunflower

Peter Burke, 20 March 1986

The rise of the professional art historian in the later 19th century has been a mixed blessing. Making paintings, statues or buildings are activities which are as much a part of history as making...

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English Art and English Rubbish

Peter Campbell, 20 March 1986

In England, where the opposite can easily seem to be the case, there is always someone around to say that the visual arts matter. Not just that they are life-enhancing or give pleasure, but that...

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Diary: Give me a Basher to travel

Robert Morley, 20 March 1986

In the midst of a recent cold snap am off to Glasgow to speak at a dinner for the Brewers’ Benevolent Society. Super Shuttle involves free drinks but climbing in and out of buses. I tread...

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Geraniums and the River

Nicholas Penny, 20 March 1986

‘Impressionism became very quickly the house style of the haute bourgeoisie,’ T.J. Clark observes at the close of The Painting of Modern Life. Few seem to have resisted the...

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Prinney, Boney, Boot

Roy Porter, 20 March 1986

Cherished among the bastions of our ‘invisible constitution’ is the political cartoon, the people’s daily retort to ministerial humbug and opposition hypocrisy. If the pen is...

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Diary: Fortress Wapping

Sean French, 6 March 1986

Shortly after the Sunday Times’s enforced move into the London Docklands, David Blundy and Jon Swain were strolling towards the new production plant’s heavily-guarded entrance. These...

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Why Wapping?

Rex Winsbury, 6 March 1986

There was once a famous proprietor of the Times newspaper who, wishing to introduce new technology into his production plant but fearing the hostility of his print workers, resorted to...

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More about Marilyn

Michael Church, 20 February 1986

‘A suicide kills two people, Maggie. That’s what it’s for.’ Thus Quentin, the tormented Prospero-figure in Arthur Miller’s autobiographical play After the Fall....

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Can there be such a thing as music criticism?

John Deathridge, 20 February 1986

Musicologists are notorious both in and outside academic circles for their arcane habits of mind and their usually enraptured view of the mediocre and obscure. Paul Henry Lang – doyen of...

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Forever Krystle

Nicholas Shakespeare, 20 February 1986

‘Bobby J. Ewing, I don’t believe you.’ The first episode of Dallas began, in 1978, with Pamela’s stilted expression of incredulity. Within two years the city famous for...

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Diary: Save the Round Reading-Room!

A.J.P. Taylor, 20 February 1986

The late Professor Tate of Manchester University, I have been told, made his last ascent of Scafell pike at the age of 93. I made my last ascent of Pillar at the age of little more than seventy....

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Minute Particulars

David Allen, 6 February 1986

One of scholarship’s more obvious last frontiers, a stretch of terrain that remains substantially uncolonised, is the borderland between those two uncomfortable neighbours, the history of...

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Worthies

C.H. Sisson, 6 February 1986

Whether one regards the honours system as a comedy, or a scandal, or merely as a perfectly ordinary bit of government machinery – like other bits not always as sensibly managed as it might...

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Hit and Muss

John Campbell, 23 January 1986

In its own small sphere, the destruction by Express Newspapers of the Beaverbrook Library must rank as one of the worst acts of intellectual vandalism in recent years. No one who had the...

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‘Stravinsky’

Paul Driver, 23 January 1986

Stravinsky was a dull correspondent, but at least he was Stravinsky. His wife’s letters to him, which preponderate over his to her in Robert Craft’s new selection of Stravinskyiana,

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Diary: Sport Poetry

Ian Hamilton, 23 January 1986

Today, Live Soccer returns to ‘our screens’ after a six-month haggle between TV and the Football League. It’s Charlton versus West Ham in the Cup and we are being exhorted to...

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Blue Suede Studies

Hugh Barnes, 19 December 1985

It has become fashionable to think sagely about Elvis, and to deliver such thoughts in mawkish turns of phrase. His biographers, who set the trend, promote it in order to make sense of...

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What was new

Eric Griffiths, 19 December 1985

A pause for thought in The Tempest: ...

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