Pseud’s Corner

John Sutherland, 17 July 1980

Every publication is required, by law I believe, to carry the printer’s name. No such rigorous obligation attaches to statements of authorship. It is a licence that fiction, in particular,...

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Smart Girls

Emma Tennant, 17 July 1980

‘Clever Gretchen’ and Other Forgotten Tales sets out to right a balance heavily weighted during the age of the great Victorian collectors of fairy-tales, ballads and lore. In that...

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Children’s Fiction and the Past

Nicholas Tucker, 17 July 1980

Some sense of history, however vague or inaccurate, has always been an important factor in helping young people define their hopes and fantasies about their eventual place in the world. The story...

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Poem: ‘Sonny Jim in Love’

Hugo Williams, 17 July 1980

They left me alone with the pens And I have gone over my loved one’s face In ink, for something to do. I wanted to see how she looked Telling me not to. I let my hand Trail on her cheek...

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New Women

Patricia Beer, 17 July 1980

George Gissing was convinced that the year 1900 would make all the difference. Writing his study of Charles Dickens in the late 1890s, he refers to his own generation as those ‘upon whom...

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Orphans

Joan Aiken, 17 July 1980

The great virtue of the orphan story, I believe, and the reason why it has survived for so many centuries and will continue to do so, is that, when it comes to essentials, we are solitary beings; we are...

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Wise Words

Mark Elvin, 3 July 1980

This is a dictionary of a language that does not yet quite exist. If this seems a paradoxical way to talk of standard modern Chinese, the paradox is easily enough resolved by a brief account of...

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Dying Cultures

Graham Hough, 3 July 1980

This is John Updike’s first collection of stories for seven years. There must have been problems, he says, to account for such a long delay. His preface glances ruefully at some of them...

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Defence of poetry

Hugh Lloyd-Jones, 3 July 1980

Professor Stanford, who this year retires from the Regius Chair of Greek at Trinity College, Dublin after 40 years in office, feels that ‘creative literature is being used more and more as...

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Poem: ‘Table Talk’

Derek Mahon, 3 July 1980

You think I am your servant but you are wrong. The service lies with you. During your long Labours at me, I am the indulgent wood, Tolerant of your painstaking ineptitude. Your poems were torn...

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All the Advantages

C.H. Sisson, 3 July 1980

The poet E.E. Cummings was born with what are called all the advantages, or with enough of them. It was in Cambridge, Massachusetts, in ‘a huge, three-storied, many-roomed structure with 13...

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Traven identified

George Woodcock, 3 July 1980

I am convinced, after reading his book, The Man who was B. Traven, that the BBC producer Will Wyatt has (with some notable assistance from others) finally solved one of the most tantalising...

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Bloom’s Gnovel

Marilyn Butler, 3 July 1980

Harold Bloom of Yale has become strangely hard to avoid. Eloquent, prolific, charismatic, he is unmistakably one of the leading living mandarins of literary criticism. His manner of writing has...

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Cucurbits

John Sturrock, 3 July 1980

The cucurbits are victims of repression. Those of us who, before we took up this book, hadn’t thought the pumpkin and its unhappy kind were ridiculous, or erotic, or even taboo, had simply failed...

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The Grand Tour paused at Ravenna. Back in England Rain closed in from the sea and attacked the windows But the two wealthy young women Saw mosaic walls whenever they shut their eyes, Thought of...

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Sacred Peter

Norman MacCaig, 19 June 1980

My acceptance of an offer to review the Kavanagh book landed me in a mess of puzzles. Peter Kavanagh, the poet’s brother, starts straight off, sentence one, by announcing: ‘When I...

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Babylons

A.D. Moody, 19 June 1980

James’s world in these letters of 1875-1883 – the years, roughly, from The American to The Portrait of a Lady – is already the world of such great late works as The Awkward Age,...

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Unfair to gays

Simon Raven, 19 June 1980

Although Iris Murdoch and other females are on the roll, this book is almost entirely about the ways in which male homosexual novelists and their heroes evade or challenge established values and...

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