At the Ashmolean: The things themselves

Peter Campbell, 17 December 2009

C.R. Cockerell’s Ashmolean Museum of 1845 has a pedimented central bay with projecting wings. The architectural detail – in two colours of stone, used very prettily – draws on...

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Piperism: John and Myfanwy Piper

William Feaver, 17 December 2009

The elongated shards of smog grey, pea green and lemonade that, since 1968, have cast a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John...

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Diary: The World Cup

R.W. Johnson, 17 December 2009

Cape Town is in a state of serious dislocation because of next summer’s football World Cup. The huge new 68,000-seater stadium at Green Point is virtually complete but there are roadworks...

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At the Movies: ‘A Serious Man’

Michael Wood, 17 December 2009

There is a certain kind of Jewish joke that doesn’t end, but peters out in a shoulder-shrugging way, as if to say: ‘You thought this was going to be a joke?’ I’ll spare...

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Ask ‘What are they for?’ of objects in a design museum and you get good answers. Cups are to drink from, hats are to wear. In an art gallery, where the relevance of the use such...

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Diary: Grief and the Cameras

Andrew O’Hagan, 3 December 2009

At the moment the television channel that speaks most directly to young people is ITV2. As I sit at my desk writing this diary, the channel is showing an episode of the American problems-show

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Writing his memoirs in 1946, two years before his death, Sergei Eisenstein declared that he had ‘been fascinated by bones and skeletons since childhood’. His first experience of film...

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At the Hayward: Ed Ruscha

Hal Foster, 19 November 2009

‘Whatever my work was made up of in the beginning,’ Ed Ruscha said in 1989, ‘is exactly what it is like today.’* Well, not ‘exactly’, but his art is...

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A prim and eager young clerk, working for his art-dealer uncle, is writing to his schoolboy brother. Pictures and books are the 19-year-old’s meat and drink: he soon adds Millais, Dickens...

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At the British Museum: Moctezuma

Peter Campbell, 5 November 2009

The exhibition Moctezuma: Aztec Ruler, at the British Museum until 24 January 2010, is sombre and disturbing – the chirpy half-rhyme in the title hits a wrong note. (The catalogue says not...

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At the Movies: Agnès Varda

Michael Wood, 5 November 2009

‘I inhabit the cinema,’ Agnès Varda says at the end of her autobiographical film, The Beaches of Agnès. ‘It’s my house. It seems I have always lived...

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In the Studio: Sitting for Frank Auerbach

William Feaver, 22 October 2009

In Frank Auerbach’s Recent Pictures, at Marlborough Fine Art (until 24 October), there may appear to be a compulsive zest. Alleyway and streetscape, seated figure and reclining head, are...

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Look Me in the Eye: Art and the Brain

Julian Bell, 8 October 2009

‘We’re confident it’s real’: Arthur Aron is a psychologist who has discovered that blood-flows in the brains of people claiming to be in love after decades of marriage...

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Short Cuts: Caster Semenya

John Lanchester, 8 October 2009

Sports administration is one of those jobs which have built into them the fact that they attract attention only when things go wrong. A school sports day takes quite a bit of organising; anything...

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At the Movies: ‘District 9’

Michael Wood, 8 October 2009

The spacecraft hangs above Johannesburg, like a relic from Star Wars that couldn’t find the parking dock. It manages to look both otherworldly and scruffy, battered, rusting. Unplugged...

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In a Bookshop: Penguin by Illustrators

Peter Campbell, 10 September 2009

The new titles on the table in the bookshop, a cast of hundreds, gather for a curtain call. Like the chorus girl who breaks rhythm on the night a talent scout is in the audience, they will try...

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Gloomy Sunday Afternoons: Modernists at the Movies

Caroline Maclean, 10 September 2009

‘You will see that this little clicking contraption with the revolving handle will make a revolution in our life – in the life of writers,’ Tolstoy allegedly said on his 80th...

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At the Movies: ‘Inglourious Basterds’

Michael Wood, 10 September 2009

What would you get if you combined The Great Dictator with Pulp Fiction and shifted the scene to France? One answer might be Quentin Tarantino’s new film, Inglourious Basterds, but...

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