In Split: Diocletian’s Palace

Rosemary Hill, 26 September 2013

The train journey from Zagreb to Split takes six hours and entails a degree of mental adjustment. Zagreb is quiet in summer. A city of government and business, it mostly closes for August,...

Read more about In Split: Diocletian’s Palace

At the Movies: ‘Upstream Colour’

Michael Wood, 26 September 2013

Shane Carruth’s Upstream Colour, like his first film Primer (2004), is a curiously patient, unindustrial affair, even if it cost a little more money to make. Carruth wrote both films...

Read more about At the Movies: ‘Upstream Colour’

When she arrived at the Slade, in 1910, Dora Carrington looked quite conventional. But she soon hacked off her long hair into an androgynous bob. Her sophisticated friends Barbara Hiles and...

Read more about At Dulwich Picture Gallery: ‘A Crisis of Brilliance’

How We Remember: Terrence Malick

Gilberto Perez, 12 September 2013

The family is moving out of town, and as the car drives away the mother looks back at the house they’re leaving behind. ‘The only way to be happy is to love,’ she says in...

Read more about How We Remember: Terrence Malick

In Herne Bay: Duchamp

Brian Dillon, 29 August 2013

‘I am not dead; I am in Herne Bay,’ Marcel Duchamp wrote to the painter Max Bergmann in August 1913. If you know the north Kent resort today – its decayed seafront and sad...

Read more about In Herne Bay: Duchamp

The Mods mixed outdoor jaunt with indoor dissipation, group jamboree with sombre reflection, and they took very small things very seriously indeed, things other people wrongly perceived as frivolous.

Read more about Even If You Have to Starve: Mod v. Trad

At the Movies: ‘Only God Forgives’

Michael Wood, 29 August 2013

‘Only God forgives’ could be the motto for many crime stories, starting with Dostoevsky and perhaps earlier. One of the most pointed if least high-toned of its meanings suggests that...

Read more about At the Movies: ‘Only God Forgives’

At Tate Britain: L.S. Lowry

John Barrell, 8 August 2013

Lowry and the Painting of Modern Life, curated by the American art historian Anne Wagner and her British husband T.J. Clark, is the most radical and exciting re-evaluation of a British artist I...

Read more about At Tate Britain: L.S. Lowry

The story of Paula Modersohn-Becker is, according to Diane Radycki, ‘the missing piece in the history of 20th-century modernism’. This is a large claim, and the basis for it is...

Read more about The Artist as Fruit: Paula Modersohn-Becker

At the Movies: ‘Cleopatra’

Michael Wood, 8 August 2013

Age cannot wither her, but it doesn’t improve her much either. Not when she is Elizabeth Taylor as Cleopatra. Age seems simply to have left her alone, as it often does with movie actors....

Read more about At the Movies: ‘Cleopatra’

In 1845 Captain Sir John Franklin led 128 men in search of the final stretch of the Northwest Passage. When they failed to return from their expedition, a number of relief parties were sent out...

Read more about At Turner Contemporary: ‘Curiosity’

If you were 14 in 1976 you were young enough to be impressed by punk and old enough to respond to its DIY ethos.

Read more about I was there, was I? ‘Bedsit Disco Queen’

Diary: Battersea Power Station

Will Self, 18 July 2013

‘Rome completely bowled me over!’ Hitler declared on returning to Germany after his 1938 state visit to Italy. Mussolini had laid on a grand night-time tour that climaxed in a visit...

Read more about Diary: Battersea Power Station

‘This Booke,’ Leonard Digges claimed in a preface to Shakespeare’s First Folio, ‘When Brasse and Marble fade, shall make thee looke/Fresh to all Ages.’ If we take...

Read more about Quill, Wax, Knife: Collier’s Letter Racks

This Strange Speech: Early Dürer

Christopher S. Wood, 18 July 2013

I have plenty of good friends among the Italians who warn me not to eat and drink with their painters. Many of the painters are my enemies, and they copy my work in the churches and wherever...

Read more about This Strange Speech: Early Dürer

At Tate Britain: ‘Phantom Ride’

Brian Dillon, 4 July 2013

Simon Starling’s film installation Phantom Ride, commissioned by Tate Britain for its vast Duveen Galleries, takes its title from a cinematic fad of the early 1900s. Cameras and cameramen...

Read more about At Tate Britain: ‘Phantom Ride’

On 19 March, Anatoly Iksanov, the general director of the Bolshoi Theatre, held a press conference in Moscow to announce a month-long festival to celebrate the centenary of Stravinsky’s

Read more about More Tales from the Bolshoi: Tales from the Bolshoi

At least three different films are competing for the same slot in Steven Soderbergh’s Behind the Candelabra, one about glamour and kitsch, one about marital fatigue and one a sort of...

Read more about At the Movies: ‘Behind the Candelabra’