When did you get hooked? Game of Thrones

John Lanchester, 11 April 2013

A small number of aristocratic families are contending for power in Westeros, an island with a cold north, warm south and ferocious barbarians across the seas to the east.

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Why so late and so painfully? Cézanne

Frederick Brown, 21 March 2013

In 1857, when Cézanne was 18, the government lawyer prosecuting Madame Bovary as an affront to public decency declared that the novel was ‘a painting admirable from the point of view...

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Lucky Hunter-Gatherers: Ice Age Art

T.J. Clark, 21 March 2013

Everything in the British Museum’s show confirms the picture we have of hunter-gatherer society’s inwardness with the ways of wild beasts.

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Ich bin ein Belieber: Ich bin ein Belieber

Michael Herbert Miller, 21 March 2013

It’s too late for Justin Bieber to be a regular kid who turns up on time and poses meekly for the camera.

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Nothing in Pier Paolo Pasolini’s The Gospel According to Saint Matthew quite lives up to its first few minutes, but getting anywhere near them is quite an achievement. And this static,...

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Meades is our greatest exponent of what the Russian Formalists called ostranenie, ‘making-strange’.

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At Eton

Charles Hope, 7 March 2013

Henry VI had an unusually long reign, but on most counts a singularly unfortunate one. He lost the lands gained in France by his father Henry V, he became embroiled in the Wars of the Roses, his...

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At the Royal Academy: Manet

Julian Bell, 21 February 2013

‘The Luncheon’, a canvas three feet nine inches high and five feet wide, dominates the opening gallery of the Royal Academy’s exhibition Manet: Portraying Life (until 14 April)....

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At the Movies: ‘Zero Dark Thirty’

Michael Wood, 21 February 2013

Kathryn Bigelow’s Zero Dark Thirty is based, a title-card tells us, on ‘first-hand accounts’, but it’s not a documentary film. It’s a sort of revenge western, clean,...

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At MoMA: ‘Inventing Abstraction’

Hal Foster, 7 February 2013

When Alfred H. Barr Jr launched the Museum of Modern Art in New York in 1929, it was a paradoxical enterprise: a museum for an avant-garde art that was very much a work in progress. Nevertheless,...

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Diary: Google Invades

Rebecca Solnit, 7 February 2013

There are hundreds of luxury buses serving mega-corporations in San Francisco, but we refer to them in the singular, as the Google Bus.

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At the Nunnery Gallery: Madge Gill

Eleanor Birne, 24 January 2013

Britain’s best-known Outsider artist is rarely seen in Britain. Until a couple of years ago, when the Whitworth Gallery in Manchester acquired some, you had to go to the Collection de...

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At the Movies: ‘Django Unchained’

Michael Wood, 24 January 2013

This year’s discussions of the Oscar nominations, especially before they were announced, centred on the notion of American history and managed somehow to suggest that this is both a very...

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‘Temple of Apollo’ after Claude Lorrain by William Woollett (1760) Among various unforgettable moments in a life much of which has been spent thinking about landscape in...

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How will we feel, seeing photographs hung for the first time in a temple dedicated to painting? That is the experiment the National Gallery has undertaken with Seduced by Art: Photography Past...

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The 21st-century American cable dramas combine the production values and ambitions of an Oscar-hopeful film with the characteristics of the soap opera.

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In Praise of Power: Bernini the Ruthless

Alexander Nagel, 3 January 2013

‘Self Portrait’ (1635) Franco Mormando has a lot to tell us about Gian Lorenzo Bernini and the Rome of his day, but one lasting lesson is that just about everyone who knew him...

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Like Mannequins: Luca Signorelli

Charles Hope, 20 December 2012

There used to be a widespread practice in Italy, particularly in the 1960s and in Tuscany, of removing baroque additions of all kinds from old churches, in a usually implausible attempt to...

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