At the Movies: ‘Zero Dark Thirty’

Michael Wood, 21 February 2013

Kathryn Bigelow’s Zero Dark Thirty is based, a title-card tells us, on ‘first-hand accounts’, but it’s not a documentary film. It’s a sort of revenge western, clean,...

Read more about At the Movies: ‘Zero Dark Thirty’

At MoMA: ‘Inventing Abstraction’

Hal Foster, 7 February 2013

When Alfred H. Barr Jr launched the Museum of Modern Art in New York in 1929, it was a paradoxical enterprise: a museum for an avant-garde art that was very much a work in progress. Nevertheless,...

Read more about At MoMA: ‘Inventing Abstraction’

Diary: Google Invades

Rebecca Solnit, 7 February 2013

There are hundreds of luxury buses serving mega-corporations in San Francisco, but we refer to them in the singular, as the Google Bus.

Read more about Diary: Google Invades

At the Nunnery Gallery: Madge Gill

Eleanor Birne, 24 January 2013

Britain’s best-known Outsider artist is rarely seen in Britain. Until a couple of years ago, when the Whitworth Gallery in Manchester acquired some, you had to go to the Collection de...

Read more about At the Nunnery Gallery: Madge Gill

At the Movies: ‘Django Unchained’

Michael Wood, 24 January 2013

This year’s discussions of the Oscar nominations, especially before they were announced, centred on the notion of American history and managed somehow to suggest that this is both a very...

Read more about At the Movies: ‘Django Unchained’

‘Temple of Apollo’ after Claude Lorrain by William Woollett (1760) Among various unforgettable moments in a life much of which has been spent thinking about landscape in...

Read more about The Virtues of Topography: Constable, Gainsborough, Turner

How will we feel, seeing photographs hung for the first time in a temple dedicated to painting? That is the experiment the National Gallery has undertaken with Seduced by Art: Photography Past...

Read more about At the National Gallery: Seduced by Art

The 21st-century American cable dramas combine the production values and ambitions of an Oscar-hopeful film with the characteristics of the soap opera.

Read more about It’s the moral thing to do: ‘Breaking Bad’

In Praise of Power: Bernini the Ruthless

Alexander Nagel, 3 January 2013

‘Self Portrait’ (1635) Franco Mormando has a lot to tell us about Gian Lorenzo Bernini and the Rome of his day, but one lasting lesson is that just about everyone who knew him...

Read more about In Praise of Power: Bernini the Ruthless

Like Mannequins: Luca Signorelli

Charles Hope, 20 December 2012

There used to be a widespread practice in Italy, particularly in the 1960s and in Tuscany, of removing baroque additions of all kinds from old churches, in a usually implausible attempt to...

Read more about Like Mannequins: Luca Signorelli

I want to be her clothes: Kate Moss

Kevin Kopelson, 20 December 2012

Many people​ believe that Jesus, when alive, was both human and divine, or both mortal and immortal; many people, likewise, believe that God himself, of the Old as well as the New Testament, is...

Read more about I want to be her clothes: Kate Moss

At the V&A: ‘Hollywood Costume’

Marina Warner, 20 December 2012

Dressmakers’ dummies are favourites with photographers of haunting; Eugène Atget, who rarely shows the inhabitants of a Parisian street or room, dwells on the smiling mannequins in...

Read more about At the V&A: ‘Hollywood Costume’

At the Movies: ‘Lincoln’

Michael Wood, 20 December 2012

There’s a lot of waiting in Steven Spielberg’s Lincoln: for news, for a decision, for a vote, for an opinion, for the end of the Civil War. Not much happens during the waiting. People...

Read more about At the Movies: ‘Lincoln’

Two of England’s best remembered kings, Henry VIII and Charles I, stand in the shadow of lost princes. Each had an elder brother who was Prince of Wales and expected to succeed. Had Prince...

Read more about At the National Portrait Gallery: ‘The Lost Prince’

Bourgeois Nightmares: Michael Haneke

Gilberto Perez, 6 December 2012

Michael Haneke, like Luis Buñuel, deliberately goes beyond the limits of permissible displeasure.

Read more about Bourgeois Nightmares: Michael Haneke

At Tate Modern: Klein/Moriyama

Brian Dillon, 22 November 2012

There are six people in the photograph, but only one of them knows it. A young woman in a crowd on Fifth Avenue in 1955 finds a lens in her face. People are not yet afraid of being photographed...

Read more about At Tate Modern: Klein/Moriyama

At the Movies: ‘Skyfall’

Michael Wood, 22 November 2012

When Daniel Craig took on the role of James Bond in Casino Royale (2006), there was much talk of the real thing. Here at last was the mean, lethal, almost banter-free figure we thought Ian...

Read more about At the Movies: ‘Skyfall’

Why would super-fit athletes take such insane risks with their health? Part of the answer, as Hamilton explains, is that professional cycling is an inherently unhealthy sport. It is, to start with, extremely...

Read more about Everybody gets popped: Lance Armstrong’s Regime