I want to be her clothes: Kate Moss

Kevin Kopelson, 20 December 2012

Many people​ believe that Jesus, when alive, was both human and divine, or both mortal and immortal; many people, likewise, believe that God himself, of the Old as well as the New Testament, is...

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At the V&A: ‘Hollywood Costume’

Marina Warner, 20 December 2012

Dressmakers’ dummies are favourites with photographers of haunting; Eugène Atget, who rarely shows the inhabitants of a Parisian street or room, dwells on the smiling mannequins in...

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At the Movies: ‘Lincoln’

Michael Wood, 20 December 2012

There’s a lot of waiting in Steven Spielberg’s Lincoln: for news, for a decision, for a vote, for an opinion, for the end of the Civil War. Not much happens during the waiting. People...

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Two of England’s best remembered kings, Henry VIII and Charles I, stand in the shadow of lost princes. Each had an elder brother who was Prince of Wales and expected to succeed. Had Prince...

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Bourgeois Nightmares: Michael Haneke

Gilberto Perez, 6 December 2012

Michael Haneke, like Luis Buñuel, deliberately goes beyond the limits of permissible displeasure.

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At Tate Modern: Klein/Moriyama

Brian Dillon, 22 November 2012

There are six people in the photograph, but only one of them knows it. A young woman in a crowd on Fifth Avenue in 1955 finds a lens in her face. People are not yet afraid of being photographed...

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At the Movies: ‘Skyfall’

Michael Wood, 22 November 2012

When Daniel Craig took on the role of James Bond in Casino Royale (2006), there was much talk of the real thing. Here at last was the mean, lethal, almost banter-free figure we thought Ian...

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Why would super-fit athletes take such insane risks with their health? Part of the answer, as Hamilton explains, is that professional cycling is an inherently unhealthy sport. It is, to start with, extremely...

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In Margate: Alex Katz

Julian Bell, 8 November 2012

A selection of works done across sixty years by the New York painter Alex Katz has left Tate St Ives for the opposite end of southern England. The upper galleries of Margate’s recently...

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Typically, the first job of the art historian is to slot a work of art into its proper place in time, in the corpus of the artist who made it and in the context of the world that informed its...

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On the Sofa: ‘Girls’

Lidija Haas, 8 November 2012

Lena Dunham’s Girls opens on its creator and star eating the way you don’t often see a woman eat on TV: brow furrowed, cheeks full, spaghetti cascading towards the plate, left hand...

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Light Entertainment: Our Paedophile Culture

Andrew O’Hagan, 8 November 2012

The BBC isn’t the Catholic Church, but it has its own ideals and traditions, which cause people to pause before naming the unwise acts that have been performed on its premises. Perhaps more than any...

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‘A daring undertaking’, the German art historian Hans Belting calls his book. Florence and Baghdad is his attempt to get two civilisations to define each other in terms of their...

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The Queen unveiled the Bomber Command Memorial at Hyde Park Corner on 28 June. ‘Sixty-seven years too late’ according to a chorus of jingoists who have apparently long been militating...

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But what did they say? Music in 1853

Stephen Walsh, 25 October 2012

In Judith Weir’s pocket Chinese opera The Consolations of Scholarship, the hero discovers the truth about his father Chao Tun’s unjust disgrace while researching old philosophical...

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Diary: Online Dating

Emily Witt, 25 October 2012

I am not usually comfortable in a bar by myself, but I had been in San Francisco for a week and the apartment I sublet had no chairs in it.

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At the Royal Academy: ‘Bronze’

James Davidson, 11 October 2012

‘I’ve done it,’ Horace shouts at the end of his third book of Odes. ‘I’ve made a monument more lasting than bronze … Something that neither biting rain, nor...

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Against Michelangelo: ‘The Pinecone’

Rosemary Hill, 11 October 2012

Not much is known about Sarah Losh and those biographical facts which have survived offer little more than a misleading series of clichés. Born on New Year’s Day, 1786, into a solid...

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