Double Act: ‘A Humument’

Adam Smyth, 11 October 2012

On a Saturday morning in November 1966, Tom Phillips picked a book at random from a pile of novels at a house-clearance sale in Peckham Rye. Phillips had never heard of W.H. Mallock’s A...

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Short Cuts: Costume Drama

Christopher Tayler, 11 October 2012

When Ford Madox Ford published No More Parades, the second of the four novels that make up Parade’s End, in 1925, he was likened to Proust and Joyce. Three years later the final instalment,...

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When Hal Foster uses the word ‘first’ in the title of his confidently focused study, he means to start us thinking about Pop now and then. It is a reference to Reyner Banham’s

Read more about Tomorrow is here again: The First Pop Age

At the Movies: ‘The Master’

Michael Wood, 11 October 2012

People weren’t walking out in droves from the suburban cinema in which we saw Paul Thomas Anderson’s new film The Master because there weren’t droves there: just perhaps eight...

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Tom Phillips: An Interview

Tom Phillips, Adam Smyth and Gill Partington, 11 October 2012

Tom Phillips, who was born in 1937, is a painter, printmaker and collagist, and the creator of ‘A Humument: A Treated Victorian Novel’, which was reviewed by Adam Smyth in the issue of...

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In the Turbine Hall: Tino Sehgal

Brian Dillon, 27 September 2012

For the past decade or so Tino Sehgal has been making museum-bound work that flexes definitions of ‘work’ and ‘museum’, and threatens to flummox that frequently harried...

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In Walthamstow: William Morris

Rosemary Hill, 13 September 2012

The William Morris Gallery in Walthamstow was reopened on 2 August by Chris Robbins, leader of Waltham Forest Council, who pronounced its refurbishment ‘truly stunning’. He said how...

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At Tate Modern: Edvard Munch

Julian Bell, 30 August 2012

You could mount an exhibition entitled ‘The Moment of Edvard Munch’. It would focus on the Norwegian who first hit Paris in 1885, aged 21, and who, energised by his immersion in...

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Diary: My Olympics

Iain Sinclair, 30 August 2012

The Owl Man represented raw nature against the pasteurised alternative: traumatised sheep dancing to the beat of Danny Boyle’s Wagnerian lightshow.

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At the Movies: ‘The Lodger’

Michael Wood, 30 August 2012

The Lodger (1926) was Alfred Hitchcock’s third film, following The Pleasure Garden (1925) and the lost Mountain Eagle (also 1926). He made six more silent films before turning to sound. He...

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Follow the Money

David Conn, 30 August 2012

Tottenham Hotspur was the first football club to be floated, in 1983. I asked the FA why it had allowed Spurs to form a holding company. It hadn’t been an issue, I was told. The top clubs’ appetite...

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The Vollard Suite is an entertainment. The hundred etchings Picasso produced between 1930 and 1937, which at some point became a set to be sold together, are – for want of a better word...

Read more about High-Step with a Bull: Picasso, The Vollard Suite

At the Hayward: ‘Invisible’

Brian Dillon, 2 August 2012

Stare long enough into the void, Nietzsche writes in Beyond Good and Evil, and the void stares back at you. The trouble with nothing, no matter an artist or writer’s aspiration to the zero...

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Short Cuts: ‘Magnum Contact Sheets’

Jeremy Harding, 2 August 2012

In 1974 Ian Berry won a bursary from the Arts Council to photograph ‘the English’. He’d already made his name in South Africa as the only photographer to record the Sharpeville...

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Diary: Are books like nappies?

Christian Lorentzen, 2 August 2012

I was feeling lonely and somewhat deracinated so the first week of June I flew from London to New York. I bought new shoes and walked around like a tourist: on the High Line, over the Brooklyn...

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At noon on 7 January 1779 the British merchant ship Westmorland, en route from Livorno to England, was captured by two French warships off the Spanish coast. France having joined the War of...

Read more about At the Ashmolean: The Capture of the Westmorland

If we leave aside some notes and references at the back, Zona seems to close, appropriately, with a description of the end of a film: ‘her eyes, her watching eyes, and her face and head,...

Read more about Complicated System of Traps: Geoff Dyer’s ‘Zona’

Stepping Stone to the New Times: Bauhaus

Christopher Turner, 5 July 2012

The Bauhaus stank of garlic. Alma Mahler, the wife of its founder and director Walter Gropius (and the ex-wife of Gustav), found the smell intolerable. She refused to eat the ‘obligatory...

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