Diary: My Olympics

Iain Sinclair, 30 August 2012

The Owl Man represented raw nature against the pasteurised alternative: traumatised sheep dancing to the beat of Danny Boyle’s Wagnerian lightshow.

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At the Movies: ‘The Lodger’

Michael Wood, 30 August 2012

The Lodger (1926) was Alfred Hitchcock’s third film, following The Pleasure Garden (1925) and the lost Mountain Eagle (also 1926). He made six more silent films before turning to sound. He...

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Follow the Money

David Conn, 30 August 2012

Tottenham Hotspur was the first football club to be floated, in 1983. I asked the FA why it had allowed Spurs to form a holding company. It hadn’t been an issue, I was told. The top clubs’...

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The Vollard Suite is an entertainment. The hundred etchings Picasso produced between 1930 and 1937, which at some point became a set to be sold together, are – for want of a better word...

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At the Hayward: ‘Invisible’

Brian Dillon, 2 August 2012

Stare long enough into the void, Nietzsche writes in Beyond Good and Evil, and the void stares back at you. The trouble with nothing, no matter an artist or writer’s aspiration to the zero...

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Short Cuts: ‘Magnum Contact Sheets’

Jeremy Harding, 2 August 2012

In 1974 Ian Berry won a bursary from the Arts Council to photograph ‘the English’. He’d already made his name in South Africa as the only photographer to record the Sharpeville...

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Diary: Are books like nappies?

Christian Lorentzen, 2 August 2012

I was feeling lonely and somewhat deracinated so the first week of June I flew from London to New York. I bought new shoes and walked around like a tourist: on the High Line, over the Brooklyn...

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At noon on 7 January 1779 the British merchant ship Westmorland, en route from Livorno to England, was captured by two French warships off the Spanish coast. France having joined the War of...

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If we leave aside some notes and references at the back, Zona seems to close, appropriately, with a description of the end of a film: ‘her eyes, her watching eyes, and her face and head,...

Read more about Complicated System of Traps: Geoff Dyer’s ‘Zona’

Stepping Stone to the New Times: Bauhaus

Christopher Turner, 5 July 2012

The Bauhaus stank of garlic. Alma Mahler, the wife of its founder and director Walter Gropius (and the ex-wife of Gustav), found the smell intolerable. She refused to eat the ‘obligatory...

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At the V&A: Ballgowns

Jenny Turner, 5 July 2012

The Roland Mouret Galaxy dress was first shown in 2005 and immediately became a defining shape of its time. Partly, the dress was so successful because it was strict and yet curve-friendly,...

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Once a Catholic…: Damien Hirst

Marina Warner, 5 July 2012

Hirst is a natural allegorist, a lover of vanitas images – a clear case of once a Catholic.

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At the Movies: ‘Prometheus’

Michael Wood, 5 July 2012

Ridley Scott says his new film, Prometheus, is not a prequel to his 1979 Alien. It just has ‘certain strands of Alien’s DNA, so to speak’. Fans of the first movie and its...

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In literary costume drama even the most exquisitely wrought lace cuff is only as good as its description.

Read more about Making a Costume Drama out of a Crisis: ‘Downton Abbey’

Since the mid-1980s, Edward Burtynsky has been photographing landscapes that have been transformed by human intervention. In his early work – a series on mines and one on railway cuttings...

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At Tate Britain: Patrick Keiller

Brian Dillon, 7 June 2012

A static shot, as always. On screen, in the sunshine, a bright yellow combine harvester is toiling across an Oxfordshire wheatfield like a paddle steamer in reverse, churning up a mist of chaff...

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At the Movies: ‘The Dictator’

Michael Wood, 7 June 2012

There is a tradition of dictator jokes in Latin America (‘What time is it?’ ‘Whatever time you say, General’), and there is even a genre known as the dictator novel, of...

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Diary: Pamuk’s Museum

Elif Batuman, 7 June 2012

In 2010, I moved from California, where I had lived for 11 years, to Turkey, where I had never stayed longer than a month or two.

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