Short Cuts: Fact-checking

Christian Lorentzen, 5 April 2012

A few weeks ago I found myself at a party talking to a woman with whom I seemed to have nothing in common. But it turned out she wrote for a New York fashion magazine, and although I never shop,...

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The Shoreham Gang: Samuel Palmer

Seamus Perry, 5 April 2012

A bearded patriarch, possibly in Elizabethan dress, rests on his elbow, stretched out on a snug little hillock in the middle of a wedge-shaped field of corn. He is leaning against some sort of...

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The life of Claude Lanzmann, the director of Shoah declares at the beginning of his memoir, has been ‘a rich, multifaceted and unique story’.

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Lana Turner walks out of the shadows into a pool of light then into the shadows again. Into another pool of light and a second set of shadows. She is wearing an overcoat, walking the streets,...

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There is no such thing as well-tempered modernism, which is a problem for a genteel art culture like England’s.

Read more about False Moderacy: Picasso and Modern British Art

Zeitgeist Man: Dennis Hopper

Jenny Diski, 22 March 2012

As charm is to Cary Grant, awkwardness to Jerry Lewis, vulnerability to Montgomery Clift, so malevolence is to Dennis Hopper. Very few actors specialised as Hopper did in convincing malice....

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At Tate Britain: ‘Migrations’

Julian Bell, 8 March 2012

‘Troubling’: that’s the word chosen by Penelope Curtis, the new director of Tate Britain, in her preface to the catalogue for Migrations, the gallery’s recently opened...

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It hits in the gut

Will Self, 8 March 2012

Owen Hatherley understands the dangers of ‘nostalgia for the future’, but he’s too far gone to pull out.

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‘Nice story’, Freud says when Jung gives him an account of a patient’s pathology. The tone is amused, but a sense of shock lingers, an ironically disguised disapproval of...

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Diary: The Russell-Cotes

Michael Dobson, 23 February 2012

What is the difference between great art and tat?

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At the Hayward: David Shrigley

Rosemary Hill, 23 February 2012

People who value the power of art to shock have complained that David Shrigley should have been given a solo show in a venue for serious modern art.

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Death in Florence

Charles Nicholl, 23 February 2012

Andrea del Castagno was one of the greatest Florentine painters of the Quattrocento. But was he also a murderer?

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Alone: Lost in the Tundra

John Burnside, 9 February 2012

Quite early one May morning, in the last days of a subarctic winter, I strayed from a marked trail I had been walking for just under two hours and discovered I was lost in the north Norwegian...

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At the MK: Daria Martin

Brian Dillon, 9 February 2012

‘I cannot abide fuzzy plants, or plants of a certain texture … Just looking at them sets me off,’ an off-screen male synaesthete complains in Daria Martin’s Sensorium...

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Poem: ‘The Spirit Award’

Daisy Fried, 9 February 2012

Most Valuable, Most Improved, and for least valuable unimprovables, the Spirit Award. Skinny in my T-back, I got Most Valuables. Swimming mostly hurt. My shoulders are still big from this....

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Diary: At the Olympic Park

Andrew O’Hagan, 9 February 2012

Alfred Dickens, the novelist’s brother, wrote a General Board of Health report on the area soon to be occupied by the Olympic athletes, recording that ‘the cholera raged’ and...

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At the Royal Academy: Hockney

Daniel Soar, 9 February 2012

The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer...

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At the Movies: ‘The Artist’

Michael Wood, 9 February 2012

The plot line is a bit schematic, resolute in its avoidance of swerves and complications. A new movie star is born, an old star fades. Time passes, technology rules, the talkies are here. Still,...

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