‘Nice story’, Freud says when Jung gives him an account of a patient’s pathology. The tone is amused, but a sense of shock lingers, an ironically disguised disapproval of...

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Diary: The Russell-Cotes

Michael Dobson, 23 February 2012

What is the difference between great art and tat?

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At the Hayward: David Shrigley

Rosemary Hill, 23 February 2012

People who value the power of art to shock have complained that David Shrigley should have been given a solo show in a venue for serious modern art.

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Death in Florence

Charles Nicholl, 23 February 2012

Andrea del Castagno was one of the greatest Florentine painters of the Quattrocento. But was he also a murderer?

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Alone: Lost in the Tundra

John Burnside, 9 February 2012

Quite early one May morning, in the last days of a subarctic winter, I strayed from a marked trail I had been walking for just under two hours and discovered I was lost in the north Norwegian...

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At the MK: Daria Martin

Brian Dillon, 9 February 2012

‘I cannot abide fuzzy plants, or plants of a certain texture … Just looking at them sets me off,’ an off-screen male synaesthete complains in Daria Martin’s Sensorium...

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Poem: ‘The Spirit Award’

Daisy Fried, 9 February 2012

Most Valuable, Most Improved, and for least valuable unimprovables, the Spirit Award. Skinny in my T-back, I got Most Valuables. Swimming mostly hurt. My shoulders are still big from this....

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Diary: At the Olympic Park

Andrew O’Hagan, 9 February 2012

Alfred Dickens, the novelist’s brother, wrote a General Board of Health report on the area soon to be occupied by the Olympic athletes, recording that ‘the cholera raged’ and...

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At the Royal Academy: Hockney

Daniel Soar, 9 February 2012

The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer...

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At the Movies: ‘The Artist’

Michael Wood, 9 February 2012

The plot line is a bit schematic, resolute in its avoidance of swerves and complications. A new movie star is born, an old star fades. Time passes, technology rules, the talkies are here. Still,...

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Oh! – only Oh! Burne-Jones

Ruth Bernard Yeazell, 9 February 2012

Edward Jones – the Burne came later – was born in Birmingham to a mother who died giving birth to him and a father who eked out a living as a frame-maker, although art, his son...

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My son has been poisoned! Cold War movies

David Bromwich, 26 January 2012

‘They’re not going to stop,’ Joe McCarthy said of the Communists. ‘It’s right here with us now. Unless we make sure there’s no infiltration of our government,...

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At MoMA: Diego Rivera

Hal Foster, 26 January 2012

It comes as a surprise to learn that the second artist given a major show at the Museum of Modern Art was Diego Rivera, for when the exhibition opened in December 1931, the 45-year-old Mexican...

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It’s impossible to overstate the extent to which the game of baseball is integrated with American life in general, and its literary scene in particular. The sport’s popularity has...

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At the Whitechapel: Wilhelm Sasnal

Julian Bell, 5 January 2012

The exhibition at the Whitechapel Gallery (until 1 January), surveying ten years’ work by the 38-year-old Polish painter Wilhelm Sasnal, gets other painters arguing. Everyone has their...

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In the middle room of the Leonardo show at the National Gallery you can swivel on one heel and see, almost simultaneously, the two versions of his Virgin of the Rocks. They face one another...

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Short Cuts: The Future of Publishing

Jenny Diski, 5 January 2012

A few years ago I taught a writing workshop with a graduate of the UEA creative writing course, who offered very firm advice, such as ‘Always keep the active part of the sentence for the...

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At the Movies: ‘Mysteries of Lisbon’

Michael Wood, 5 January 2012

There are artfully self-conscious moments in Raúl Ruiz’s Time Regained (1999) which distract us briefly from the film’s amazing achievement: to reveal the last volume of...

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