Short Cuts: In the Ghost Library

James Meek, 3 November 2011

‘For voters, feelings prevail over beliefs,’ Peter Mandelson writes in The Third Man. ‘People may be torn between their head and their heart, but ultimately it is their gut...

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At the Movies: At the Morelia Festival

Michael Wood, 3 November 2011

I remember Morelia, in Mexico, from visits long ago: a fine old colonial city which seemed to have a crumbling convent or modest palace on almost every corner. It went through a bad patch in the...

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At Tate Britain: John Martin

Peter Campbell, 20 October 2011

I begin to write about John Martin: Apocalypse (at Tate Britain until 15 January) before looking at the pictures. Maybe, I say to myself, if I set memories of Martin’s pictures against the...

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Short Cuts: #tevezexcuses

John Lanchester, 20 October 2011

Quantity changes quality, Hegel thought. It’s an observation which proves true in many different contexts, and one of them involves football. I know that I’m far from alone in finding...

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Set on Being Singular: Schoenberg

Nick Richardson, 20 October 2011

‘The second half of this century will spoil by overestimation all the good of me that the first half, by underestimation, has left intact,’ Arnold Schoenberg prophesied in 1949, 16...

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At the Royal Academy: Degas

Peter Campbell, 6 October 2011

Until 11 December the exhibition Degas and the Ballet: Picturing Movement fills most of the main galleries at the Royal Academy. As well as paintings, drawings, photographs and sculptures by...

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On Richard Hamilton

Hal Foster, 6 October 2011

Richard Hamilton, who died on 13 September at the age of 89, invented the idea of Pop art, along with his colleagues in the Independent Group, more than 50 years ago. In ‘Persuading...

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Nothing in the new film version of Tinker Tailor Soldier Spy is quite as compelling as the posters for it. Well, there are compelling moments in the movie but they keep losing their allure by...

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In 1237 Florence set up a mint and struck the silver florin. Until then the town had been using the denaro of the declining Holy Roman Empire, but the coin was now so debased that it had to be...

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‘Can one imagine anything in the arts,’ Louis-Bertrand Castel wrote in 1763, ‘which would surpass the visible rendering of sound, which would enable the eyes to partake of all...

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Painting and illustration are broad, overlapping provinces. Paintings are (usually) made for walls, illustrations are (usually) printed on paper. There is no need to be pedantic. Illustrations...

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The Last Column: Remnants of 9/11

Hal Foster, 8 September 2011

There is a hangar at JFK Airport – Hangar 17 – where, until recently, about 1200 pieces of steel and other objects from the World Trade Center site were warehoused. In the frenetic...

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That two films about human entanglements with chimpanzees, a feature-length documentary and a fiction feature, should be showing in London at the same time is presumably an accident of...

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At Dulwich: Poussin and Twombly

T.J. Clark, 25 August 2011

Everything is changed at Dulwich Picture Gallery by the fact of Cy Twombly’s death. He died in Rome, aged 83, on 5 July, just a week after the current show at Dulwich opened (it closes on...

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In October last year, after discussions that took place over just nine days, the BBC agreed to take the funding of the World Service off the hands of the government from 2014. At the same time,...

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The Cool Machine: Ravel

Stephen Walsh, 25 August 2011

‘Trying to pin Ravel down,’ Roger Nichols writes in his penultimate paragraph, ‘is about as futile as trying to catch Scarbo in a bucket.’ It may seem a disconcerting...

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At the Hayward: Tracey Emin

Marina Warner, 25 August 2011

Quilts used to be made from baskets of scraps; old clothes were cut up, the worn and stained bits discarded, the best parts kept for reuse. Every household where a woman lived had such a...

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Although pictures are, on the whole, reproduced in formats chosen to suit layouts, there are exceptions aimed at protecting the status of the image. Some are licensed for reproduction only if...

Read more about At the Royal Academy: Hungarian Photography