In 1237 Florence set up a mint and struck the silver florin. Until then the town had been using the denaro of the declining Holy Roman Empire, but the coin was now so debased that it had to be...

Read more about A Most Delicate Invention: ‘Money and Beauty’

‘Can one imagine anything in the arts,’ Louis-Bertrand Castel wrote in 1763, ‘which would surpass the visible rendering of sound, which would enable the eyes to partake of all...

Read more about The Ultimate Magical Synaesthesia Machine: Painting Music

Painting and illustration are broad, overlapping provinces. Paintings are (usually) made for walls, illustrations are (usually) printed on paper. There is no need to be pedantic. Illustrations...

Read more about At the Courtauld: Toulouse-Lautrec and Jane Avril

The Last Column: Remnants of 9/11

Hal Foster, 8 September 2011

There is a hangar at JFK Airport – Hangar 17 – where, until recently, about 1200 pieces of steel and other objects from the World Trade Center site were warehoused. In the frenetic...

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That two films about human entanglements with chimpanzees, a feature-length documentary and a fiction feature, should be showing in London at the same time is presumably an accident of...

Read more about At the Movies: ‘Project Nim’, ‘Rise of the Planet of the Apes’

At Dulwich: Poussin and Twombly

T.J. Clark, 25 August 2011

Everything is changed at Dulwich Picture Gallery by the fact of Cy Twombly’s death. He died in Rome, aged 83, on 5 July, just a week after the current show at Dulwich opened (it closes on...

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In October last year, after discussions that took place over just nine days, the BBC agreed to take the funding of the World Service off the hands of the government from 2014. At the same time,...

Read more about ‘Auntie Mabel doesn’t give a toss about Serbia’: The World Service

The Cool Machine: Ravel

Stephen Walsh, 25 August 2011

‘Trying to pin Ravel down,’ Roger Nichols writes in his penultimate paragraph, ‘is about as futile as trying to catch Scarbo in a bucket.’ It may seem a disconcerting...

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At the Hayward: Tracey Emin

Marina Warner, 25 August 2011

Quilts used to be made from baskets of scraps; old clothes were cut up, the worn and stained bits discarded, the best parts kept for reuse. Every household where a woman lived had such a...

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Although pictures are, on the whole, reproduced in formats chosen to suit layouts, there are exceptions aimed at protecting the status of the image. Some are licensed for reproduction only if...

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Do I like it? Outsider Art

Terry Castle, 28 July 2011

His lips with joy they burr at you, But, Betty! what has he to do With stirrup, saddle, or with rein? Wordsworth, ‘The Idiot Boy’ Like most people who live in cities I’ve had...

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Short Cuts: Murdoch

Glen Newey, 28 July 2011

Has the old cane-toad lost his touch? The BSkyB takeover bid nixed. Murdoch père and fils summonsed to Parliament with the ousted Rebekah Brooks. News Corp shares in free-fall. One would...

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At the Movies: ‘The Tree of Life’

Michael Wood, 28 July 2011

There is a mystery about Terrence Malick’s new movie, but it has nothing to do with life, death and the wonders wrought by the maker of the universe, which are the film’s modest...

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Look beyond the lips: Hedy Lamarr

Bee Wilson, 28 July 2011

Compared with most actresses, Hedy Lamarr wasn’t very interested in acting. She was an intelligent woman, capable of great things, but, beauty aside, the greatness didn’t show up on...

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At Tate Modern: Miró

Peter Campbell, 14 July 2011

Painters born into the sunset of Impressionism who were fated to have long lives saw a procession of styles emerge before they died. Some they invented, others they took up to play their own...

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In their foreword to the predictably dismaying Higher Education White Paper, Vince Cable and David Willetts deploy the standard language of the marketplace: the Higher Education Funding Council...

Read more about Short Cuts: Radio 3’s ‘X Factor’

At the Movies: ‘Senna’

Michael Wood, 14 July 2011

You might think one big difference between the biopic and the documentary life is that in the latter all the characters are allowed to play themselves, and that when they die, we see their actual...

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At the Met: Richard Serra

David Hansen, 30 June 2011

My wife had never been to New York before, so we decided we’d walk to the Met from Grand Central Station. On Fifth Avenue, just near Rockefeller Centre, we stopped to watch some roadworks:...

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