At the V&A 2: Wedding Dresses, 1775-2014

Rosemary Hill, 9 October 2014

Of all​ the 19th-century innovations disparaged by Eric Hobsbawm as ‘invented traditions’, the white wedding must rank alongside clan tartans as the most enduring, a convention now...

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The Girl Who Waltzes: George Balanchine

Laura Jacobs, 9 October 2014

In 1973​, when George Balanchine was asked by his biographer Bernard Taper to appraise the previous decade of his life, he replied: ‘It’s all in the programmes.’ He meant...

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At the V&A 1: Disobedient Objects

Nick Richardson, 9 October 2014

To make​ a DIY tear-gas mask first cut the bottom off a large plastic bottle. Then turn it upside down and cut away a tall U-shaped area big enough to put your face into. Get a dust mask, soak...

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Shapeshifter: Elvis looks for meaning

Ian Penman, 25 September 2014

In the spring of 1965, on the road between Memphis and Hollywood, desert plains all around, his bloodstream torqued by a tinnital static of prescription ups and downs, Elvis Presley finally broke down.

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At the Movies: ‘A Most Wanted Man’

Michael Wood, 25 September 2014

At​ the centre of a wide shot, near the centre of the film, stands Philip Seymour Hoffman: scruffy, genial, large, mildly enigmatic. He is in a city park, trees all around him, leaves beneath...

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In Cardiff: Richard Wilson

John Barrell, 25 September 2014

It is as if the wildly inflated claim that Richard Wilson ‘transformed’ European landscape painting can only be given even a touch of credibility by passing him off as a Londoner, or at least...

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At the NPG: ‘Virginia Woolf’

Jean McNicol, 11 September 2014

On​ 16 October​ 1940 the house in Tavistock Square in which Virginia Woolf had lived for 15 years was destroyed by a bomb. The first image in the National Portrait Gallery’s exhibition...

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London’s population is near its peak, its skyline mangled by ‘the erection of tall buildings, especially if they are of eccentric or self-promoting “iconic” design’.

Read more about Serried Yuppiedromes: What happened to London?

At Tate Modern: Kazimir Malevich

Tony Wood, 21 August 2014

How​ many Maleviches were there? Though renowned as a pioneer of abstraction, especially for the stark geometry of his Suprematist canvases, Kazimir Malevich worked in many styles over the...

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The secret beating heart of the dream office is the stationery cupboard, the ideal kind, the one that opens to enough depth to allow you to walk in and close the door behind you.

Read more about Post-its, push pins, pencils: In the Stationery Cupboard

At the Whitney: Jeff Koons

Hal Foster, 31 July 2014

Modern art​ was born into a market economy, and by the early 20th century it could no longer ignore its commodity status. While some artists sought to escape this condition through abstraction,...

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Young Man’s Nostalgia: William Byrd

Diarmaid MacCulloch, 31 July 2014

We know​ a gratifying amount about William Byrd, partly thanks to quite recent archival rediscoveries, and Kerry McCarthy splendidly and concisely presents it all in this intelligent and...

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By the time he was elected to the Académie française in 2004, Alain Robbe-Grillet had suffered a cruel fate: he had all the renown he could have hoped for but few readers to show for it.

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One​ of Baudelaire’s Petits Poèmes en prose, ‘Le Joujou du pauvre’ (‘The poor child’s plaything’), opens with the remark that very few amusements are...

Read more about Forty Thousand Kilocupids: The Femfatalatron

For three years​ David Blunkett, then the Labour home secretary, had an affair with Kimberly Fortier, publisher of the Spectator. The affair came to an end in the summer of 2004. A few weeks...

Read more about The Ballad of Andy and Rebekah: The Phone Hackers

Apart​ from the chance invention of Prussian blue soon after 1700, the range of colours available to artists changed very little until the 19th century, when modern chemistry came into its own....

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Short Cuts: Facebook Misery

Thomas Jones, 17 July 2014

Heaven​ knows there are reasons enough for anyone to feel miserable about Facebook: the mediation and commodification of ordinary human relationships, the mediation and commodification of every...

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At the Movies: ‘Judex’

Michael Wood, 17 July 2014

Georges Franju​’s Judex (1963), expertly restored and newly released by Criterion, invites us to time travel of a double kind: into the 1960s, when it was made, into the 1910s, where it...

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