Modern art was born into a market economy, and by the early 20th century it could no longer ignore its commodity status. While some artists sought to escape this condition through abstraction,...
We know a gratifying amount about William Byrd, partly thanks to quite recent archival rediscoveries, and Kerry McCarthy splendidly and concisely presents it all in this intelligent and...
By the time he was elected to the Académie française in 2004, Alain Robbe-Grillet had suffered a cruel fate: he had all the renown he could have hoped for but few readers to show for it.
One of Baudelaire’s Petits Poèmes en prose, ‘Le Joujou du pauvre’ (‘The poor child’s plaything’), opens with the remark that very few amusements are...
For three years David Blunkett, then the Labour home secretary, had an affair with Kimberly Fortier, publisher of the Spectator. The affair came to an end in the summer of 2004. A few weeks...
Apart from the chance invention of Prussian blue soon after 1700, the range of colours available to artists changed very little until the 19th century, when modern chemistry came into its own....
Heaven knows there are reasons enough for anyone to feel miserable about Facebook: the mediation and commodification of ordinary human relationships, the mediation and commodification of every...
Georges Franju’s Judex (1963), expertly restored and newly released by Criterion, invites us to time travel of a double kind: into the 1960s, when it was made, into the 1910s, where it...
‘Proud’ is an epithet that extends from the parade to the workbench. The swagger of troops marching down the street is transferred by the carpenter to the nail that juts out, no...
I can take more than my fair share of crap TV cop drama. Formulaic is good: I haven’t seen True Detective yet, but I fear from what I’ve read that it might be less rigidly...
In part ten of Civilisation, Kenneth Clark turned his attention to the Enlightenment, the age of the great amateurs. These were men ‘rich and independent enough to do what they...
The male peacock has never had a free pass. ‘Of all handicrafts,’ the satirical magazine the Town said in 1838, ‘that of tailoring appears to be the most successful in the...
During the final decade of the 19th century, the best rooms in the largest buildings migrated from low to high in a decisive reversal of hierarchic order.
For some, Sigmar Polke is his own greatest work, which is to believe that this influential German artist, who died in 2010, counts above all because of the protean force of his personality....
Small boys of all ages and both genders look forward to World Cups. Perhaps nobody, though, looks forward to it more than actual small boys. I’ve been looking forward to them ever since...
The Scott Street exterior of the west wing of Glasgow School of Art in 1933. I had the daily pleasure of seeing the west wing of the Glasgow School of Art, with its castle-like...
John Turturro’s Fading Gigolo is a delicate movie about indelicate matters. No, wait, perhaps it’s an indelicate movie about delicate matters. The uncertainty does the film no...
Was Matisse at the end of his life the Greek or the modern?