At the Fitzwilliam: Artists’ Mannequins

Eleanor Birne, 8 January 2015

I f you​ walk through the main galleries of the Fitzwilliam Museum in Cambridge just now you’ll find yourself on a creepy treasure hunt. A one-legged mannequin on a crutch rests near...

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T he assessment​ of Giovanni Battista Moroni written in 1648 by Carlo Ridolfi, his first biographer, has never been seriously challenged. Ridolfi says that Moroni, a pupil of Alessandro Moretto...

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Short Cuts: Running Out of Time

Daniel Soar, 8 January 2015

A  new year​ ! A new you! This is supposed to be the time for self-improvement, which makes me wonder what’s gone wrong for 2015. We’re used to the newspaper supplements’...

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At the Movies: ‘Leviathan’

Michael Wood, 8 January 2015

A ndrey Zvyagintsev’s​  Leviathan begins and ends as a harsh parable of the isolated individual’s losing battle against a corrupt, tentacular system. The director himself, in a...

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At Tate Britain: Late Turner

John Barrell, 18 December 2014

A fter​ three or four hours in the Linbury Galleries at Tate Britain, examining, admiring, taking notes on the Late Turner exhibition (until 25 January), I wandered into the café to take...

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Short Cuts: Transcendental Wardrobes

Joanna Biggs, 18 December 2014

I nstead​ of the new season fantasy every woman is instructed to have as autumn approaches, this September I dreamed of throwing all my clothes out. Things that I used to turn to – a...

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Diary: Death and Photography

John Burnside, 18 December 2014

I  am waiting​ for a plane at Newark. Time was when anywhere in an airport was a good place to read, or just to go slack and empty, to be nobody in particular and, by that token, more...

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Rembrandt paints faces. When he finds himself in a world where appropriate facial expressions do not come to mind he is in trouble.

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On Saving the Warburg

Charles Hope, 4 December 2014

O n 6 November​ , after ten days of legal argument in the High Court, judgment was handed down in the dispute over the University of London’s obligations towards the Warburg Institute....

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Dad & Jr: Bushes Jr & Sr

Christian Lorentzen, 4 December 2014

I t’s been​ five years and ten months. I confess to a bit of nostalgia for the nihilism that came with being governed by George W. Bush. For all the continuities, Obama arouses more...

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At the Donmar

Jacqueline Rose, 4 December 2014

I n the latest Coors Light Ice Bar cinema advertisement, Jean-Claude Van Damme slices through enormous ice blocks with his bare hands and shatters them with a single thrust of his legs. Perhaps...

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Agh, Agh, Yah, Boo: Ian Hamilton Finlay

David Wheatley, 4 December 2014

W riting​ to his friend Stephen Bann, then a graduate student, in 1964, Ian Hamilton Finlay outlined his plans to treat readers of his brash new journal, Poor. Old. Tired. Horse, to a free...

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Short Cuts: The Wyatt Continuum

Jeremy Harding, 20 November 2014

R obert Wyatt​ is one of the last survivors of the 1960s pop music scene in Britain. He has been recording for nearly half a century. He was said to be reckless and unfocused for most of his...

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T he French​ national necropolis of Notre Dame de Lorette lies on a plateau to the north of Arras where a pilgrims’ chapel once stood. The bodies of some forty thousand French soldiers...

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At the Movies: ‘Playtime’

Michael Wood, 20 November 2014

M onsieur Hulot​ , with his manic politeness and his endless, baffled curiosity, loped into movies in 1953 in Monsieur Hulot’s Holiday. He became instantly familiar, although there was a...

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Love and Hate, Girl and Boy: Louise Bourgeois

Juliet Mitchell, 6 November 2014

L ouise Bourgeois​ died, aged 98, in May 2010. Shortly before her death Jerry Gorovoy, her long-time assistant, found a forgotten box of her jottings, unpublished papers and diaries from her...

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Short Cuts: Narcissistic Kevins

David Runciman, 6 November 2014

S ome professions​ attract people suffering from extreme forms of narcissism (or as it’s sometimes called, narcissistic personality disorder). Politics is one; sport is another. A recent...

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Diary: London’s Lost Cinemas

Iain Sinclair, 6 November 2014

While trying to ignore my seventieth birthday I was offered an unexpected gift: the chance to nominate seventy films that would be shown in orthodox and unorthodox venues across London.

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