‘Proud’​ is an epithet that extends from the parade to the workbench. The swagger of troops marching down the street is transferred by the carpenter to the nail that juts out, no...

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On the Sofa: ‘Happy Valley’

Jenny Diski, 3 July 2014

I can​ take more than my fair share of crap TV cop drama. Formulaic is good: I haven’t seen True Detective yet, but I fear from what I’ve read that it might be less rigidly...

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At Tate Britain (2): Kenneth Clark

Rosemary Hill, 3 July 2014

In part ten​ of Civilisation, Kenneth Clark turned his attention to the Enlightenment, the age of the great amateurs. These were men ‘rich and independent enough to do what they...

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Short Cuts: Have you seen their sandals?

Andrew O’Hagan, 3 July 2014

The​ male peacock has never had a free pass. ‘Of all handicrafts,’ the satirical magazine the Town said in 1838, ‘that of tailoring appears to be the most successful in the...

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Messages from the 29th Floor: Lifts

David Trotter, 3 July 2014

During the final decade of the 19th century, the best rooms in the largest buildings migrated from low to high in a decisive reversal of hierarchic order.

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At MoMA: Sigmar Polke

Hal Foster, 19 June 2014

For some​, Sigmar Polke is his own greatest work, which is to believe that this influential German artist, who died in 2010, counts above all because of the protean force of his personality....

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It’s All Over

John Lanchester, 19 June 2014

Small boys​ of all ages and both genders look forward to World Cups. Perhaps nobody, though, looks forward to it more than actual small boys. I’ve been looking forward to them ever since...

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The Scott Street exterior of the west wing of Glasgow School of Art in 1933. I had​ the daily pleasure of seeing the west wing of the Glasgow School of Art, with its castle-like...

Read more about Toshie Trashed: The Glasgow School of Art Fire

At the Movies: ‘Fading Gigolo’

Michael Wood, 19 June 2014

John Turturro​’s Fading Gigolo is a delicate movie about indelicate matters. No, wait, perhaps it’s an indelicate movie about delicate matters. The uncertainty does the film no...

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Was Matisse at the end of his life the Greek or the modern?

Read more about The Urge to Strangle: Matisse’s Cut-Outs

In March​ this year the Daily Express sold an average of 488,246 copies a day. In 1945 it averaged 3.3 million copies – a figure that went on rising until it peaked in 1961 at 4.3...

Read more about Scoop after Scoop: Chapman Pincher’s Scoops

On Selfies: #happy, #fun, #smile and so on

Julian Stallabrass, 5 June 2014

A few dozen​ photographs were taken of me as a child. I remember lining up with my family on the beach as a wealthy uncle tried out a new photographic toy and, bright glare of sun off sand...

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Utterly in Awe: Lynn Barber

Jenny Turner, 5 June 2014

What​ do you spend your money on? Do you like buying stuff for others, or yourself? Do you resent paying income tax? What’s the most you’ve ever spent on a dress? Who were you...

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At​ the Pompidou Centre in Paris, a two-hour wait will get you ‘priority access’ to the Henri Cartier-Bresson exhibition. It’s available only to friends of the museum, members...

Read more about Nothing to Do with Me: Henri Cartier-Bresson

The​ German painter Jörg Immendorff died in 2007, at the age of 61, after a long period suffering from motor neurone disease. His reputation had been tarnished by a scandal a few years...

Read more about At the Ashmolean: Joseph Beuys and Jörg Immendorff

What does​ a wedding look like in an Ozu film? Two large hired cars outside an anonymous block of flats. Inside the building, father and elder brother in sleek Western morning suits, younger...

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Short Cuts: Crooked Cricket

Tariq Ali, 8 May 2014

Globalised cricket​ – epitomised by the Indian Premier League with its billions, its imported cheerleaders, its shady business deals, its manic marketing – is enmeshed in crisis....

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At the National Gallery: Veronese

Charles Hope, 8 May 2014

For anyone​ wishing to organise an exhibition of his works, Veronese presents a particular challenge. He was exceedingly prolific and many of his best paintings are too large to be moved. He...

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