Pure Mediterranean: Picasso and Nietzsche

Malcolm Bull, 20 February 2014

‘There are the Alps,’ Basil Bunting wrote on the flyleaf of Ezra Pound’s Cantos, ‘you will have to go a long way round/if you want to avoid them.’ T.J. Clark is an...

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At the Whitechapel: Hannah Höch

Anne Wagner, 20 February 2014

‘What does a woman want?’ I still remember my first encounter with the question Freud put to Marie Bonaparte in 1925, just as I recall my inability to stomach its aggressive and...

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At Pallant House: Pauline Boty

Eleanor Birne, 6 February 2014

Pauline Boty, the only prominent female Pop artist among a generation of famous men, was a blonde beauty, described as a ‘goddess’ and likened by contemporaries to Brigitte Bardot....

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All the Sad Sages: Bagehot

Ferdinand Mount, 6 February 2014

It was because Bagehot’s mind ranged far beyond the counting house, because he mocked the sluggish minds of City men, that his writings were so exhilarating.

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I am not a world improver: Building Seagram

Christopher Turner, 6 February 2014

Mies had dreamed of building skyscrapers since the early 1920s when he’d been seduced by images of the thrusting New York skyline.

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At the Movies: ‘12 Years a Slave’

Michael Wood, 6 February 2014

For much of the time Steve McQueen’s 12 Years a Slave strikes a curiously stately rhythm, as if it didn’t want to be a movie but an art exhibition or a class in design. The frame...

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You might think you’re looking at an advent calendar, but there is no Nativity in this stunning set of paintings from the church of Däräsge Maryam in northern Ethiopia. The church...

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Charlie Parker’s sad extinction released myriad afterlives: musical colossus, modernist exemplar, contested emblem of racial politics.

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In the Studio: Howard Hodgkin

John-Paul Stonard, 23 January 2014

Howard Hodgkin has finished a new painting. It is called Summer Rain, and is painted with oils on a framed wooden panel, about two metres in length and just over one metre high. At the centre a...

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At Tate Modern: Paul Klee

T.J. Clark, 9 January 2014

There was a time within living memory when a survey of Klee’s painting like the one at Tate Modern – 17 rooms, 130 works – would have been the event of the season (it’s on...

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Fergie Time: Sir Alex Speaks (again)

David Runciman, 9 January 2014

Alex Ferguson is a conspiracist, which is not quite the same as being a conspiracy theorist.

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At the Movies: ‘The Innocents’

Michael Wood, 9 January 2014

Deborah Kerr had been around by the time she came to her role in The Innocents (1961). In the movies, I mean. She had been in love with Burt Lancaster in From Here to Eternity, swooned over Cary...

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When the queen came to Ireland in May 2011 a number of the great, good and merely deserving were locked in the 1937 reading room of Trinity College Dublin for two hours without their mobile...

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Business as Usual: Hitler in Hollywood

J. Hoberman, 19 December 2013

‘It’s easy not to be a Nazi when no Hitler is around,’ Hans-Jürgen Syberberg commented in his filmed interview with the aged, unashamed Führer-familiar Winifred Wagner...

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At the Guggenheim: Christopher Wool

John-Paul Stonard, 19 December 2013

The American artist Christopher Wool’s large abstract paintings are often beautiful, but they are so emptied of content that it is at first hard to know what to make of them. For the first...

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Heart-Squasher: A Portrait of Lucian Freud

Julian Barnes, 5 December 2013

There is the male gaze in art; and then, beyond that, there is the Freudian gaze.

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At Camden Arts Centre: Kara Walker

Marina Warner, 5 December 2013

Silhouettes are polite, a parlour art, practised in gemütlich Vienna and Berlin among families who also formed quartets and played the piano; they were often made by the same accomplished...

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At the Movies: ‘To Be or Not to Be’

Michael Wood, 5 December 2013

‘My Nazis are different,’ Ernst Lubitsch said in reply to critics who hadn’t liked his film To Be or Not to Be. The critics thought he was failing to be funny about what...

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