A t​ the Pompidou Centre in Paris, a two-hour wait will get you ‘priority access’ to the Henri Cartier-Bresson exhibition. It’s available only to friends of the museum,...

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T he​ German painter Jörg Immendorff died in 2007, at the age of 61, after a long period suffering from motor neurone disease. His reputation had been tarnished by a scandal a few years...

Read more about At the Ashmolean: Joseph Beuys and Jörg Immendorff

W hat does​ a wedding look like in an Ozu film? Two large hired cars outside an anonymous block of flats. Inside the building, father and elder brother in sleek Western morning suits, younger...

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Short Cuts: Crooked Cricket

Tariq Ali, 8 May 2014

G lobalised cricket​ – epitomised by the Indian Premier League with its billions, its imported cheerleaders, its shady business deals, its manic marketing – is enmeshed in crisis....

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At the National Gallery: Veronese

Charles Hope, 8 May 2014

F or anyone​ wishing to organise an exhibition of his works, Veronese presents a particular challenge. He was exceedingly prolific and many of his best paintings are too large to be moved. He...

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W hen​ Ben Nicholson and Winifred Roberts got married, in 1920, they had everything they wanted: time and leisure to paint in, and enough of Winifred’s family money to travel wherever...

Read more about At Kettle’s Yard: Ben and Winifred Nicholson

Whose Candyfloss? Richard Hoggart

Christopher Hilliard, 17 April 2014

R ichard Hoggart​ made much in his writings of the scholarship child’s uprootedness and anxiety, but his own dislocation had its limits. Although he went from a primary school in a poor...

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Sonic Foam: On Kate Bush

Ian Penman, 17 April 2014

Kate Bush has taken on a quite distinct mythic life in our collective dreaming.

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O nce​ upon a time there was a place called Europe. All the paintings there were by Klimt and all the music by Mahler. No, there were also special Richard Strauss evenings, and the cafés...

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I f you want to pick a quarrel with Cézanne, Cézanne and the Modern at the Ashmolean provides cues. Take his own quarrel with lines. Cézanne walks into the woods with a sheet...

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Veronese has a Shakespearean ability to use the sensuous and structural qualities of his medium to make standard materials mutate.

Read more about Veronese’s ‘Allegories of Love’: Veronese

At Tate Britain: ‘Ruin Lust’

Rosemary Hill, 3 April 2014

R uins are unstable things, sometimes physically, culturally almost always. Their appeal as occasions for art is only partly aesthetic; they are the remains of something else, of which they must...

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At the Guggenheim: Italian Futurism

Hal Foster, 20 March 2014

T he Italian futurists​ were hell-bent on modernity, largely because Italy was late to industrialise. Led by the strident Marinetti, these artists, architects, photographers, writers and...

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A ntoni Tàpies​ ’s monument to Picasso was commissioned by Barcelona City Council. It sits on the edge of Parc de la Ciutadella on the busy, dusty downtown street named for Picasso....

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A sked​ for his response to those critics who saw in The Wolf of Wall Street an undiluted celebration of the bad life – drugs, sex, money, jewels, a very large yacht and expensive suits...

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Pure Mediterranean: Picasso and Nietzsche

Malcolm Bull, 20 February 2014

‘There are the Alps,’ Basil Bunting wrote on the flyleaf of Ezra Pound’s Cantos, ‘you will have to go a long way round/if you want to avoid them.’ T.J. Clark is an...

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At the Whitechapel: Hannah Höch

Anne Wagner, 20 February 2014

‘What does a woman want?’ I still remember my first encounter with the question Freud put to Marie Bonaparte in 1925, just as I recall my inability to stomach its aggressive and...

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At Pallant House: Pauline Boty

Eleanor Birne, 6 February 2014

P auline Boty, the only prominent female Pop artist among a generation of famous men, was a blonde beauty, described as a ‘goddess’ and likened by contemporaries to Brigitte Bardot....

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