In the Studio: Howard Hodgkin

John-Paul Stonard, 23 January 2014

Howard Hodgkin has finished a new painting. It is called Summer Rain, and is painted with oils on a framed wooden panel, about two metres in length and just over one metre high. At the centre a...

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At Tate Modern: Paul Klee

T.J. Clark, 9 January 2014

There was a time within living memory when a survey of Klee’s painting like the one at Tate Modern – 17 rooms, 130 works – would have been the event of the season (it’s on...

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Fergie Time: Sir Alex Speaks (again)

David Runciman, 9 January 2014

Alex Ferguson is a conspiracist, which is not quite the same as being a conspiracy theorist.

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At the Movies: ‘The Innocents’

Michael Wood, 9 January 2014

Deborah Kerr had been around by the time she came to her role in The Innocents (1961). In the movies, I mean. She had been in love with Burt Lancaster in From Here to Eternity, swooned over Cary...

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When the queen came to Ireland in May 2011 a number of the great, good and merely deserving were locked in the 1937 reading room of Trinity College Dublin for two hours without their mobile...

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Business as Usual: Hitler in Hollywood

J. Hoberman, 19 December 2013

‘It’s easy not to be a Nazi when no Hitler is around,’ Hans-Jürgen Syberberg commented in his filmed interview with the aged, unashamed Führer-familiar Winifred Wagner...

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At the Guggenheim: Christopher Wool

John-Paul Stonard, 19 December 2013

The American artist Christopher Wool’s large abstract paintings are often beautiful, but they are so emptied of content that it is at first hard to know what to make of them. For the first...

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Heart-Squasher: A Portrait of Lucian Freud

Julian Barnes, 5 December 2013

There is the male gaze in art; and then, beyond that, there is the Freudian gaze.

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At Camden Arts Centre: Kara Walker

Marina Warner, 5 December 2013

Silhouettes are polite, a parlour art, practised in gemütlich Vienna and Berlin among families who also formed quartets and played the piano; they were often made by the same accomplished...

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At the Movies: ‘To Be or Not to Be’

Michael Wood, 5 December 2013

‘My Nazis are different,’ Ernst Lubitsch said in reply to critics who hadn’t liked his film To Be or Not to Be. The critics thought he was failing to be funny about what...

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At the RA: Daumier

Julian Bell, 21 November 2013

A Daumier lithograph of 1857 shows a marble statue on a plinth coming alive in the midst of the busy Salon. She clenches her fists and bawls in sheer frustration. No one hears her. No one sees...

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Diary: On Knitting

Jenny Diski, 21 November 2013

Until recently nothing about my experience of knitting or anything I had noticed about it suggested that it might become a cultural ‘thing’. Certainly no sign that I would ever find...

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Success: What It Takes to Win at Sport

Benjamin Markovits, 7 November 2013

This country has changed, and what’s happening in sport is a way of measuring that change.

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To the Great God Pan: Goddess Isadora

Laura Jacobs, 24 October 2013

‘I have come to bring about a great renaissance of religion through the dance, to bring the knowledge of the beauty and holiness of the human body through its expression of movements.’

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At Tate Modern: Mira Schendel

Anne Wagner, 24 October 2013

Tate Modern’s retrospective of the Brazilian artist Mira Schendel – born Myrrha Dagmar Dub in 1919 in Zurich, brought up in Italy, uprooted by war to Yugoslavia, and from there to...

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At the Movies: ‘Blue Jasmine’

Michael Wood, 24 October 2013

Many critics and viewers have felt that Blue Jasmine is Woody Allen’s best film since Match Point. The accompanying implication is that the intervening works – seven movies, starting...

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In the fierce critiques that the charismatic thinkers of postwar France directed at each other – Lévi-Strauss v. Sartre, Foucault v. Derrida, Deleuze and Guattari v. Lacan, to pick...

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In Shanghai: Portrait of the Times

Jeremy Harding, 10 October 2013

Portraits – likenesses of living persons – began to appear in China about 2500 years ago. The tradition may be long, but the breadth and scale of the genre are even more striking,...

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