At the RA: Daumier

Julian Bell, 21 November 2013

A Daumier lithograph of 1857 shows a marble statue on a plinth coming alive in the midst of the busy Salon. She clenches her fists and bawls in sheer frustration. No one hears her. No one sees...

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Diary: On Knitting

Jenny Diski, 21 November 2013

Until recently nothing about my experience of knitting or anything I had noticed about it suggested that it might become a cultural ‘thing’. Certainly no sign that I would ever find...

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Success: What It Takes to Win at Sport

Benjamin Markovits, 7 November 2013

This country has changed, and what’s happening in sport is a way of measuring that change.

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To the Great God Pan: Goddess Isadora

Laura Jacobs, 24 October 2013

‘I have come to bring about a great renaissance of religion through the dance, to bring the knowledge of the beauty and holiness of the human body through its expression of movements.’

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At Tate Modern: Mira Schendel

Anne Wagner, 24 October 2013

Tate Modern’s retrospective of the Brazilian artist Mira Schendel – born Myrrha Dagmar Dub in 1919 in Zurich, brought up in Italy, uprooted by war to Yugoslavia, and from there to...

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At the Movies: ‘Blue Jasmine’

Michael Wood, 24 October 2013

Many critics and viewers have felt that Blue Jasmine is Woody Allen’s best film since Match Point. The accompanying implication is that the intervening works – seven movies, starting...

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In the fierce critiques that the charismatic thinkers of postwar France directed at each other – Lévi-Strauss v. Sartre, Foucault v. Derrida, Deleuze and Guattari v. Lacan, to pick...

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In Shanghai: Portrait of the Times

Jeremy Harding, 10 October 2013

Portraits – likenesses of living persons – began to appear in China about 2500 years ago. The tradition may be long, but the breadth and scale of the genre are even more striking,...

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In Split: Diocletian’s Palace

Rosemary Hill, 26 September 2013

The train journey from Zagreb to Split takes six hours and entails a degree of mental adjustment. Zagreb is quiet in summer. A city of government and business, it mostly closes for August,...

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At the Movies: ‘Upstream Colour’

Michael Wood, 26 September 2013

Shane Carruth’s Upstream Colour, like his first film Primer (2004), is a curiously patient, unindustrial affair, even if it cost a little more money to make. Carruth wrote both films...

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When she arrived at the Slade, in 1910, Dora Carrington looked quite conventional. But she soon hacked off her long hair into an androgynous bob. Her sophisticated friends Barbara Hiles and...

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How We Remember: Terrence Malick

Gilberto Perez, 12 September 2013

The family is moving out of town, and as the car drives away the mother looks back at the house they’re leaving behind. ‘The only way to be happy is to love,’ she says in...

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In Herne Bay: Duchamp

Brian Dillon, 29 August 2013

‘I am not dead; I am in Herne Bay,’ Marcel Duchamp wrote to the painter Max Bergmann in August 1913. If you know the north Kent resort today – its decayed seafront and sad...

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The Mods mixed outdoor jaunt with indoor dissipation, group jamboree with sombre reflection, and they took very small things very seriously indeed, things other people wrongly perceived as frivolous.

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At the Movies: ‘Only God Forgives’

Michael Wood, 29 August 2013

‘Only God forgives’ could be the motto for many crime stories, starting with Dostoevsky and perhaps earlier. One of the most pointed if least high-toned of its meanings suggests that...

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At Tate Britain: L.S. Lowry

John Barrell, 8 August 2013

Lowry and the Painting of Modern Life, curated by the American art historian Anne Wagner and her British husband T.J. Clark, is the most radical and exciting re-evaluation of a British artist I...

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The story of Paula Modersohn-Becker is, according to Diane Radycki, ‘the missing piece in the history of 20th-century modernism’. This is a large claim, and the basis for it is...

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At the Movies: ‘Cleopatra’

Michael Wood, 8 August 2013

Age cannot wither her, but it doesn’t improve her much either. Not when she is Elizabeth Taylor as Cleopatra. Age seems simply to have left her alone, as it often does with movie actors....

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