After Clarence Clemons died in 2011, Springsteen auditioned a young sax player who arrived late and unprepared. ‘Where … do … you… think … you … are?’ Springsteen reports himself saying....

Read more about Greasers and Rah-Rahs: Bruce Springsteen’s Memoir

Activestills: Activestills shoots back

Yonatan Mendel, 2 February 2017

The​ Israeli government says there is no occupation; the documentary group Activestills shoots back with images of Palestinians living under constant military threat. The Israeli army says...

Read more about Activestills: Activestills shoots back

Among​ the Russian novelists, poets, composers, actors and thinkers on display in last year’s compact but intense loan show from the Tretyakov Gallery to the National Portrait Gallery,

Read more about At the Fondation Louis Vuitton: The Shchukin Collection

At the Movies: ‘La La Land’

Michael Wood, 19 January 2017

‘Gotta dance,’​ Gene Kelly shouts towards the end of a famous Hollywood movie. He’s right, he doesn’t have any option, he’s in a musical, and he’s been...

Read more about At the Movies: ‘La La Land’

At the V&A: Opus Anglicanum

Esther Chadwick, 5 January 2017

‘English​ Work’, opus anglicanum, was a luxurious kind of embroidery made in England in the 13th and 14th centuries, used to decorate ecclesiastical vestments – copes,...

Read more about At the V&A: Opus Anglicanum

On the Sofa: ‘Making a Murderer’

Kate Summerscale, 5 January 2017

The Netflix​ documentary series Making a Murderer opens with wobbly video footage of the release from jail of Steven Avery, a Wisconsin man convicted in 1985 of violent sexual assault....

Read more about On the Sofa: ‘Making a Murderer’

Wham Bang, Teatime: Bowie

Ian Penman, 5 January 2017

The scene-setting picture of Bowie at home featured black candles and doodled ballpoint stars meant to ward off evil influences. Bowie revealed an enthusiasm for Aleister Crowley’s system of ceremonial...

Read more about Wham Bang, Teatime: Bowie

A burnished pauldron​ – the cupped steel armour protecting a soldier’s shoulder – gleams at the centre of Caravaggio’s The Taking of Christ, which in turn forms the...

Read more about At the National Gallery: Beyond Caravaggio

At the Royal Academy: Abstract Expressionism

Peter de Bolla, 15 December 2016

Among​ the many fascinating questions raised by Abstract Expressionism, on show at the Royal Academy until 2 January, is this: if I renounce depiction, refuse representation and fully embrace...

Read more about At the Royal Academy: Abstract Expressionism

By 1963​, John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you...

Read more about I have nothing to say and I am saying it: John Cage’s Diary

All hail, sage lady: ‘The Crown’

Andrew O’Hagan, 15 December 2016

Recently, when the actor Matt Smith was introduced to Prince William and the prince was told Smith would soon be playing his grandfather in an epic Netflix series, The Crown, William offered only one...

Read more about All hail, sage lady: ‘The Crown’

At the Movies: ‘Napoléon’

Michael Wood, 15 December 2016

One​ of the lasting impressions left by Abel Gance’s film Napoléon (1927), now showing in a new, digitally remastered print at the BFI and the Lumière, is that it consists...

Read more about At the Movies: ‘Napoléon’

At the Royal Academy: James Ensor

T.J. Clark, 1 December 2016

Ensor is one of the strangest artists to have emerged from a socialist and anarchist milieu.

Read more about At the Royal Academy: James Ensor

At Tate Modern: Robert Rauschenberg

Hal Foster, 1 December 2016

‘He has created more than any artist after Picasso,’ Jasper Johns said of Robert Rauschenberg, his one-time partner, and the Rauschenberg retrospective now at Tate Modern fully attests to the sheer...

Read more about At Tate Modern: Robert Rauschenberg

That Wild Mercury Sound: Dylan’s Decade

Charles Nicholl, 1 December 2016

As early as 1964 Pete Seeger said that ‘Bob Dylan may well become the country’s most creative troubadour – if he doesn’t explode.’

Read more about That Wild Mercury Sound: Dylan’s Decade

Ive​ never been voluntarily committed, or sectioned, either to an asylum or a locked psychiatric ward, but I’ve visited a fair few in my life: it goes with the odd profession of drug...

Read more about At the Wellcome: Bedlam, The Asylum and Beyond

At the Courtauld: Rodin and Dance

Anne Wagner, 17 November 2016

A century ago​ Roger Fry tried to sum up Rodin’s approach to the human figure. What mattered most to Rodin, Fry decided, was the ‘unit’, not unity: ‘His conception...

Read more about At the Courtauld: Rodin and Dance

At the Movies: ‘The Innocents’

Michael Wood, 17 November 2016

We know​ what black comedy is but I wonder whether some stories don’t call for another colour. Pale grey, for example, might be about right for Anne Fontaine’s Gemma Bovery (2014),...

Read more about At the Movies: ‘The Innocents’