At the Royal Academy: Abstract Expressionism

Peter de Bolla, 15 December 2016

Among​ the many fascinating questions raised by Abstract Expressionism, on show at the Royal Academy until 2 January, is this: if I renounce depiction, refuse representation and fully embrace...

Read more about At the Royal Academy: Abstract Expressionism

By 1963​, John Cage had become an unlikely celebrity. Anyone who knew anything about music – who had perhaps followed the perplexed reviews in the New York Times – could tell you...

Read more about I have nothing to say and I am saying it: John Cage’s Diary

All hail, sage lady: ‘The Crown’

Andrew O’Hagan, 15 December 2016

Recently, when the actor Matt Smith was introduced to Prince William and the prince was told Smith would soon be playing his grandfather in an epic Netflix series, The Crown, William offered only one...

Read more about All hail, sage lady: ‘The Crown’

At the Movies: ‘Napoléon’

Michael Wood, 15 December 2016

One​ of the lasting impressions left by Abel Gance’s film Napoléon (1927), now showing in a new, digitally remastered print at the BFI and the Lumière, is that it consists...

Read more about At the Movies: ‘Napoléon’

At the Royal Academy: James Ensor

T.J. Clark, 1 December 2016

Ensor is one of the strangest artists to have emerged from a socialist and anarchist milieu.

Read more about At the Royal Academy: James Ensor

At Tate Modern: Robert Rauschenberg

Hal Foster, 1 December 2016

‘He has created more than any artist after Picasso,’ Jasper Johns said of Robert Rauschenberg, his one-time partner, and the Rauschenberg retrospective now at Tate Modern fully attests to...

Read more about At Tate Modern: Robert Rauschenberg

That Wild Mercury Sound: Dylan’s Decade

Charles Nicholl, 1 December 2016

As early as 1964 Pete Seeger said that ‘Bob Dylan may well become the country’s most creative troubadour – if he doesn’t explode.’

Read more about That Wild Mercury Sound: Dylan’s Decade

Ive​ never been voluntarily committed, or sectioned, either to an asylum or a locked psychiatric ward, but I’ve visited a fair few in my life: it goes with the odd profession of drug...

Read more about At the Wellcome: Bedlam, The Asylum and Beyond

At the Courtauld: Rodin and Dance

Anne Wagner, 17 November 2016

A century ago​ Roger Fry tried to sum up Rodin’s approach to the human figure. What mattered most to Rodin, Fry decided, was the ‘unit’, not unity: ‘His conception...

Read more about At the Courtauld: Rodin and Dance

At the Movies: ‘The Innocents’

Michael Wood, 17 November 2016

We know​ what black comedy is but I wonder whether some stories don’t call for another colour. Pale grey, for example, might be about right for Anne Fontaine’s Gemma Bovery (2014),...

Read more about At the Movies: ‘The Innocents’

The most recent​ of William Kentridge’s works on display in Thick Time at the Whitechapel Gallery (until 15 January) is called Right into Her Arms. It’s also one of the best. A...

Read more about At the Whitechapel: William Kentridge, Thick Time

Snob Cuts: Modern Snobbery

Rosemary Hill, 3 November 2016

I once found​ a copy of Jilly Cooper’s Class (1979) in the bargain box outside a friend’s second-hand bookshop. When I asked how much it was he winced visibly and said:...

Read more about Snob Cuts: Modern Snobbery

Everything You Know: Hoods

Ian Sansom, 3 November 2016

The​ 21st-century version of Aristotle’s Poetics – and for that matter of Cicero’s On the Orator, Robert McKee’s Story, Joseph Campbell’s The Hero with a Thousand...

Read more about Everything You Know: Hoods

At the Train Station

Gillian Darley, 20 October 2016

Over the years​, travelling to Birmingham from time to time, I’ve noticed a handsome classical building, a kind of mirage that comes into view briefly as the train approaches New Street...

Read more about At the Train Station

The Chase: ‘Rain, Steam and Speed’

Inigo Thomas, 20 October 2016

You can shut down the iconographical interpretation of art, with its artistic and literary allusions, and concentrate instead on Turner’s painterliness, but with Rain, Steam and Speed you...

Read more about The Chase: ‘Rain, Steam and Speed’

At the Movies: ‘De Palma’

Michael Wood, 20 October 2016

Good humour​ comes to seem relentless if it isn’t interrupted once in a while, and this is one of the interesting effects of the film De Palma, a feature-length account of the...

Read more about At the Movies: ‘De Palma’

During​ the 1870s, the decade he turned fifty, Frederick Law Olmsted, the creative mastermind of New York’s Central Park, looked back on his career as a landscape architect, the compound...

Read more about Flowers in His Trousers: Central Park’s Architect

At​ Chinggis Khaan International Airport a driver and minder were waiting. We climbed into an old Nissan saloon and set off across Ulaanbaatar for a settlement in the south-east of Mongolia,...

Read more about At Land Art Mongolia: No boundaries, no landmarks