The most recent​ of William Kentridge’s works on display in Thick Time at the Whitechapel Gallery (until 15 January) is called Right into Her Arms. It’s also one of the best. A...

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Snob Cuts: Modern Snobbery

Rosemary Hill, 3 November 2016

I once found​ a copy of Jilly Cooper’s Class (1979) in the bargain box outside a friend’s second-hand bookshop. When I asked how much it was he winced visibly and said:...

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Everything You Know: Hoods

Ian Sansom, 3 November 2016

The​ 21st-century version of Aristotle’s Poetics – and for that matter of Cicero’s On the Orator, Robert McKee’s Story, Joseph Campbell’s The Hero with a Thousand...

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At the Train Station

Gillian Darley, 20 October 2016

Over the years​, travelling to Birmingham from time to time, I’ve noticed a handsome classical building, a kind of mirage that comes into view briefly as the train approaches New Street...

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The Chase: ‘Rain, Steam and Speed’

Inigo Thomas, 20 October 2016

You can shut down the iconographical interpretation of art, with its artistic and literary allusions, and concentrate instead on Turner’s painterliness, but with Rain, Steam and Speed you might be...

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At the Movies: ‘De Palma’

Michael Wood, 20 October 2016

Good humour​ comes to seem relentless if it isn’t interrupted once in a while, and this is one of the interesting effects of the film De Palma, a feature-length account of the...

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During​ the 1870s, the decade he turned fifty, Frederick Law Olmsted, the creative mastermind of New York’s Central Park, looked back on his career as a landscape architect, the compound...

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At​ Chinggis Khaan International Airport a driver and minder were waiting. We climbed into an old Nissan saloon and set off across Ulaanbaatar for a settlement in the south-east of Mongolia,...

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Living the Life

Andrew O’Hagan, 6 October 2016

Being an agent isn’t a job, it’s a lifestyle, and the people who are really good at it are having a wonderful life, though none of them is going to heaven.

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I live in my world: Willem de Kooning

Barry Schwabsky, 22 September 2016

Could​ anything be more unexpected, in the world of art criticism, than the appearance of a book by Rosalind Krauss on Willem de Kooning? Krauss is a wide-ranging critic and historian of...

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At the Shops

Alice Spawls, 22 September 2016

‘Jai vu​ une robe charmante, faite de bouchons de liège,’ said Apollinaire. He can’t have been walking through Mayfair, where the autumn fashions have just been...

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Who​ was the most important 19th-century composer? Naturally, it depends on what’s meant by important: Beethoven overshadows them all, but Wagner generated more discussion, and more...

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At the Movies: Victor Erice

Michael Wood, 22 September 2016

The first thing​ Estrella remembers being told about her father, in Victor Erice’s shadowy masterpiece The South, is that before she was born he predicted her sex and gave her a name....

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At MoMA: Dadaglobe Reconstructed

Mary Ann Caws, 8 September 2016

In​ 1920, Samuel Rosenstock, better known as the Romanian poet Tristan Tzara, one of the founders of the Dada movement, which wanted to remake the world as an experientially liberating place...

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Diary: Deaths on Camera

David Denby, 8 September 2016

On 19 July​ 2015, a sullen, hot day with white skies, an unarmed black man was killed in Cincinnati. The incident began when Officer Ray Tensing, a member of the University of Cincinnati campus...

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At the Centre Pompidou: Beat Generation

Jeremy Harding, 8 September 2016

In​ the Beat constellation, Allen Ginsberg’s star now shines more brightly than the rest. True, Jack Kerouac and William Burroughs glowed on in the aftermath of On the Road (1957) and

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Short Cuts: This Thing Called the Future

Jonathan Meades, 8 September 2016

Concorde​ was seen in the sky over West London for the first time in late June 1969. Less than a month later Neil Armstrong stepped from Apollo 11 onto the moon. The future had arrived. It was...

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A Thousand Erotic Games: Hieronymus Bosch

Raoul Vaneigem, 8 September 2016

Hieronymus Bosch​ had a unique facility for depicting on wood and canvas the combination of corruption and innocence that characterises us. Bosch’s abysses, like our own, are inhabited by...

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